George Sowden Seating

Iconic "First Chair" designed by Michelle de Lucchi for Memphis Milano 1983 in good condition, some scratches to the seat.

Pendulum chair designed by Peter Opsvik for Stokke in 1983. The Pendulum's ergonomic design offers a comfortable seating experience, allowing for various postures by moving with the ...

A pair of simple, clean-lined and elegantly designed rosewood chairs by George Nakashima, with a rope cord seat. These were produced by the National Institute of Design in Ahmedabad...

An elegant English armchair from the 1850s, crafted from solid mahogany and finished with burgundy upholstery. Sturdy, comfortable, and timeless, it’s in good condition and stands on...

Chair re-designed by Alessandro Guerriero for the Alchimia Redesign Collection. The piece is a tribute to the famous Steltman chair design...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

Pair of steel Italian Memphis architectural chairs attributed to Mario Botta. Extreme design with special attention to detail and craftsmanship. Leather seats and Backs. No labels on...

5 Memphis Milano style chairs, newly upholstered with a beautiful blue-green color fabric. Black coated metal frame and wooden back.

The Gaulinetta is an evolution of the Gaulino chair. In words of Oscar Tusquets: in homage to Enzo Mari, who called his chair Tonietta, a derivative of Thonet, I’ve called this chair...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...

Designed in 1983 by Michele de Lucchi, the ‘First Chair’ is a landmark piece in the Memphis Milano collection as the only original Memphis design to be mass-produced, with an estimat...

Comfortable, chic pair of Italian Mid-Century Modern lounge /club chairs / armchairs by Castelli Ferrieri for Kartell featuring both innovative design and a mix of recycled poly mate...