George Sowden Seating

Chair re-designed by Alessandro Guerriero for the Alchimia Redesign Collection. The piece is a tribute to the famous Steltman chair design...

Pure 1980's Postmodern, memphis influence lounge, arm chair. Gutsy tapered legs support the dramatic upholstered seat. Structurally sound and sturdy, unfortunately, the fabric shows ...

A classic & very early George Nakashima design, the spindle back straight chair. This 1940's example is made of solid Birch with signature saddle seat. Probably refinished at some po...

Set of four black lacquered wood chairs with gray fabric seat and back, designed by Joe Colombo in 1966 for Pozzi Milano. Domus 521 on page d/578. Repertoire 1950-2000 Allemandi on ...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

5 Memphis Milano style chairs, newly upholstered with a beautiful blue-green color fabric. Black coated metal frame and wooden back.

Pair of Mira Chairs by Mira Nakashima based on a design by George Nakashima. The chairs are in black walnut and can be signed. Production lead time is ...

Awesome gray-blue & chrome vintage cantilever chairs by United Chair Company in the style of steelcase. Comprised of a chrome cantilever frame, black plastic armrests, and their original teal & gray tweed fabric with button details. We have 9 chairs that we are selling separately. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa late 20th century. Note & Disclaimer: We have 9 of these gray-blue & chrome cantilever chairs available for purchase so the chairs in the photographs may not be the actual chairs you receive. However, you will be sent photographs for your approval of the actual chairs you will be receiving prior to shipping. Aren’t these chairs magnificent???!!! We certainly think so! These are fabulous gray-blue and chrome cantilever chairs made by United Chair Company and they’re in the style of Steelcase. They are comprised of a gorgeous chrome cantilever frame with black plastic armrests, and they wear their original awesome gray-blue and orange fleck tweed fabric with button detail on their backs and seat cushions. The fabric is cool because in different lights, it looks a little different. It’s kind of gray, kind of blue, and has little orange specs throughout… It takes on the color of what you set it with. Super stylish and super comfortable!! We say these chairs are mostly modern, but they would definitely blend in beautifully with Art Deco, mid-century modern, or Bauhaus styles. And did we mention that we have 89 of them available? So, your options are limitless! They would be fabulous seating for your dining table or around the office conference table...

T.H. Robsjohn-Gibbings Lounge Chair, Widdicomb United Kingdom / USA, c. 1955 Model 1720, bleached walnut, woven canvas webbing with replaced cushions in Great Plains wool boucle fabr...

Comfortable, chic pair of Italian Mid-Century Modern lounge /club chairs / armchairs by Castelli Ferrieri for Kartell featuring both innovative design and a mix of recycled poly mate...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...

With First, Michele De Lucchi seems to pay homage to Alexander Calder in the lightness and mobility of the forms. The seat was designed to be easily assembled and replicated: manufac...