Gerard Bignolais

Arshile Gorky: A Retrospective by Professor Michael Taylor and Kim Theriault. Yale University Press, Published 2009. 1st Ed Hardcover with dust jacket exhibition catalog for show at ...

Keith Haring Cover Art 1982-1989: A set of 3 1980s books featuring original (offset) cover design by Keith Haring during his lifetime: Keith Haring 1982 for The Paris Review. Keith Haring 1986 for Brion Gysin The Last Museum. Keith Haring for AIDS: TRADING FEARS FOR FACTS (Hein). Medium: Set of 3 individual vintage books with offset illustrated cover art. 1982-1989. Measuring approximately: 4 x 7 inches each; soft cover books; the full edition of each; bound. Each in good to very good overall vintage condition. Minor age related wear. Each, unsigned from an edition of unknown. Highly collectible. _ Keith Haring (b. 1958 Reading, PA): Keith Haring’s first major works were his subway drawings. Haring produced a large number of these public works between 1980 and 1985, integrating his motifs outlined figures into everyday public space in a way that directly engaged its viewers. Haring's 1st solo exhibition was held at Westbeth Painters Space in 1981 and a celebrated show debuted at the historic Tony Shafrazi Gallery in New York the following year. Throughout the 1980s, Haring was committed to democratizing the art experience and along with paintings, he also created theater sets, billboards, murals, advertising campaigns and even a line of Swatch watches. In 1986 he opened the Pop Shop in SoHo, selling apparel, posters and toys bearing his drawings. This was a controversial move, as many galleries criticized Haring for “de-valuing” the art object while others, such as Andy Warhol, championed Haring’s insistence on making art accessible and affordable. Pop Shop was highly influential to contemporary crossovers of art and merchandise that are now so dominant, as in the work of Jeff Koons, Yayoi Kusama, KAWS and Takashi Murakami. In addition to this ideology of accessibility, Haring was also very socially engaged and used his striking imagery to promote awareness of various political and social campaigns. His many notable public works included a mural on the western side of the Berlin Wall, the Crack is Wack mural in New York, and a mural for the 100th anniversary of the Statue of Liberty in 1986. Haring was diagnosed with AIDS in 1988 and used his presence in the arts community to raise awareness of the crisis. In 1989, a year before his death, he established the Keith Haring Foundation, whose mission is to raise funds for AIDS organizations and children’s literacy and arts programs. Since his death in 1990, Haring has become one of the most widely-recognized and celebrated artists of the 20th century. Related categories: Keith Haring 1982. Keith Haring book...

Piet Mondrian (Masters of Art) by Hans L. C. Jaffe. Published by Harry N. Abrams, Inc., 1985. 1st Ed Reprint of 1969 hardcover with dust jacket. Mondrian is generally recognized for ...

La Russie À L'Avant-Garde 1900-1935 by Fonds Mercator. Published by Fonds Mercator, 2008. 1st Ed softcover Exhibition Catalog with French text. At the start of modernity and abstract...

Magritte by Jacques Meuris 1988 1st Edition. First American Edition. Hardcover. Near Fine in Near Fine dust jacket. 233pp 393 illustrations. Blue boards in dust jacket. Translat...

Sotheby's, London: Neo-Romantic & Surrealistic Art from the Collection of Pierre Le-Tan. October 25, 1995. 210 lots, Including artwork by: Beaton, Ber...

Tahiti : contemporary art in an age of uncertainty : Hirsch Farm Project / Mitchell Kane. The sixth annual book published by the Hirsch Farm Project, an arts-based think tank, addresses a variety of contemporary issues. The project which took place in April and July of 1996 gathered six artists to speculate on the notion of Tahiti as an allegory for contemporary uncertainties ranging from environmental havoc to oscillating geographical economies. Contributions by John Currin, Mariko Mori, Alexis Rockman...

Cézanne Watercolors by Acquavella Galleries, introduction by William Rubin. New York: Acquavella Galleries, 1999. 1st Ed Softcover. 128 pp. 21 b&w...

The Mad Square: Modernity in German Art 1910-1937 by Jacqeline Strecker. Published by Prestel Publishing March 2012. 1st Ed hardcover with dust jacket exhibition catalog (Art Gallery...

Blurring the Boundaries: Installation Art 1969-1996 by Ronald J Onorato and Hugh M Davies. Museum of Contemporary Art, San Diego, 1999. 1st Ed, 2nd printing softcover. A classic documentation of site-specific and multi-media installation artwork, Blurring the Boundaries surveys twenty-five years of the genre's finest artwork. Included are: James Turrell, Vito Acconci...

Christie’s Post-War and Contemporary Art Auction, part of ‘20th/21st Century at Christie’s’, March 6, 2018. 1st Ed softcover catalog. The season will be le...

Edition of 1,000 + 200 APs. Hardcover with four fold-outs, signed by Naomi Campbell, 496 pages, 33 x 46.2 cm (13 x 18.2 in.), plus companion volume, 368 pages, within a multiple artwork by Allen Jones. Supermodel, entrepreneur, activist, provocateur. Since her teenage rise to stardom, Naomi Campbell has dazzled the world with her looks, her strength, and her irrepressible spirit. The first black model to grace the cover of French Vogue and TIME magazine, she has been the face of hundreds of magazine covers, countless editorials and advertising campaigns, and a favorite subject for some of the best photographers of the 1980s, 1990s, and today. This signed, limited, two-volume Collector’s Edition celebrates Campbell’s remarkable career amidst the greatest legends of fashion and photography with jaw-dropping images and exclusive autobiographical text. Volume 1 showcases the very best of Campbell’s portfolio, with photographs from the likes of Mert Alas and Marcus Piggott, Richard Avedon, Anton Corbijn, Patrick Demarchelier, Steven Meisel, Helmut Newton, Herb Ritts, Paolo Roversi, Mario Testino, Ellen von Unwerth, and Bruce Weber, and such unforgettable shoots as Peter Lindbergh’s joyful sequence of Naomi dancing as Josephine Baker on the beach in Deauville for Italian Vogue, or Jean-Paul Goude’s stunning composition of Naomi racing a cheetah for U.S. Harper's Bazaar. Volume 2 features Naomi’s extensive autobiographical text, illustrated by magazine covers, ads, never-before-seen personal snapshots, video stills, and more. Naomi recalls her childhood; the beginning of her modeling career; her work with fashion’s greatest designers, including Azzedine Alaïa, John Galliano, Marc Jacobs, Karl Lagerfeld, Gianni Versace; and experiencing the meteoric rise to superstardom. Photographer biographies and an illustrated appendix are also included. In a dazzling meeting of art and fashion, Volume 1 is presented in a multiple artwork by British pop art luminary, Allen Jones. Best known for his controversial fetish furniture...