Gilou Brillant Furniture

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

René Leroy (b. 1931), French artist. Pastel on paper. "Red Countryside". Dated 1987. Light size: 17.5 x 12 cm. Total dimensions: 30 x 24 cm. In excellent condition. Signed and ...

René Leroy (b. 1931), French artist. Pastel on paper. 1980s. Visible dimensions: 12 x 10 cm. Total dimensions: 24 x 18 cm. In excellent condition. Signed.

René Leroy (b. 1931), French artist. Pastel on paper. 1980s. Visible dimensions: 15 x 10 cm. Total dimensions: 24 x 18 cm. In excellent condition. Signed.

Vintage 1967 original etching named signed and numbered "Nocturnal Abode" #3/7 H. Valoff 1967. 1967 Original etching by Artist H. Valoff Is Framed And Ready To Hang. Nocturnal Ab...

Gunnar Fohlin, Sweden. Pastel on paper, 1973. A contemplative abstract landscape, where broad bands of green, red, and blue are set against a delicate horizon beneath a clear sky. T...

Five etchings by L. Meslay (French) of European cityscapes from the early 20th. Century, probably 1920s. Each with city locale and named building. All five signed L. Meslay on lowe...

René Leroy (b. 1931), French artist. Pastel on paper. Dated 1992. Visible dimensions: 14.5 x 9.5 cm. Total dimensions: 24 x 18 cm. In excellent condition...

René Leroy (b. 1931), French artist. Pastel on paper. Dated 1989. Visible dimensions: 15 x 10 cm. Total dimensions: 24 x 18 cm. In excellent condition. Signed and dated.

René Leroy (b. 1931), French artist. Pastel on paper. 1980s. Visible dimensions: 15 x 10 cm. Total dimensions: 24 x 18 cm. In excellent condition. Signed.

A bold and graphic modern aquatint etching in colors titled "Kalasa V" by Robert Kelly. Hand signed in pencil on the bottom right with an annotation of 5/50 on the bottom left. Published in 1985. Kelly's work intricately combines influences of the Bauhaus from Van Doesburg to Mondrian, with those of Schwitters and Klee, Kelly weds hints of the historical with the contemporary. His play of edges, angles, and cuts creates a tension and an intuitive logic to the placement of line and form. Kelly's work investigates the idea of doubleness through images that reflect, oppose, or mimic each other. Dimensions: 32"w x 1.5"d x 37"h (framed). In very good vintage condition. Robert Kelly (1956- ) paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, The Brooklyn Museum, New Mexico Museum of Art, Milwaukee Art Museum, Smith College Art Museum, Jane Voorhees Zimmerli Art Museum, Montgomery Museum of Fine Arts, The Fogg Museum, The Margulies Collection, and the McNay Art Museum. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique...

One and only piece, by French Artist Elisabeth Brainos signed Painting, 2005, France, in a white wood frame. With her unique and colorful style, Elisabeth Brainos, French artist, ...