Giorgio Matteo Aicardi Art

French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...

Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...

François FLAMENG Paris 1856 - 1923 Diana the Huntress floating in the clouds, fan project 1893 Watercolor and gouache on wove paper Signed and dated lower right 25 x 70 cm sheet (le...

Collections: Muir Hetherington; Sir John and Lady Witt, acquired 1974; By descent to 2015. Literature: Tom Jones (ed.), William Henry Hunt 1790-1864, exh. cat., 1981, no. 145 (Girl in a bedroom); John Witt, William Henry Hunt (1790-1864) Life and Work, London, 1982, no. 553, p. 194, colour pl. 16. Exhibited: Wolverhampton, Central Art Gallery, Preston, Harris Museum and Art Gallery and Hastings, Hastings Museum and Art Gallery, William Henry Hunt 1790-1864, 1981, no. 145 as Girl in a bedroom (Lent by Sir John & Lady Witt) Framed dimensions: 20 x 20.75 inches This unusually charming and well-preserved watercolour was painted by William Henry Hunt in around 1833. Almost certainly depicting his young wife, Sarah, possibly in the interior of her family home at Bramley in Hampshire. This work shows Hunt’s remarkable virtuosity as a watercolourist, Hunt, for example, articulates the profile of his young wife, by leaving a reserve of white paper to suggest the light modelling her features. Throughout the 1830s Hunt made a sequence of richly painted interior views of both domestic and agricultural spaces which pay scrupulous attention to detail. Hunt was born in London, the son of a tin-plate worker and japanner. J. L. Roget recorded the observation of Hunt’s uncle: ‘nervy, little Billy Hunt… was always a poor cripple, and as he was fit for nothing, they made an artist of him.’ At the age of sixteen he was apprenticed to the landscape painter John Varley for seven years, moving to live with Varley at 18 Broad Street, Golden Square, London. There he made close friends with both John Linnell and William Mulready. Hunt worked at the ‘Monro Academy’, at 8 Adelphi Terrace, London, the house of Dr Thomas Monro, an enthusiastic patron of landscape watercolourists. Through Monro, Hunt was introduced to the 5th Earl of Essex...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

Gouache and pencil on paper Unique work Hand-signed and entitled lower right by the artist

Signed and inscribed, lower center: Joseph / Ramanankamonjy / un enfant / Madagascar / “sanguine sur soie” Provenance: Private Collection, Paris Private Collection, Florida Sometim...

EDWARD DUNCAN, RWS (1803-1882) Boulogne Fishing Boat Signed l.l.: E Duncan; bears title on a label on the reverse Watercolour and pen and ink Unframed 24.5 by 30.5 cm.; 9 ¾ by 12 in. (mount size 31 by 37.5 cm., 12 ¼ by 14 ¾ in.) Provenance: Private collection. Born in London, Duncan was apprenticed to the studio of Robert Havell, principal aquatint engraver of Audubon’s Birds of America...

Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...

THE HON. MARY SHUTTLEWORTH, NÉE COCKBURN (D. 1777) and her sister ANNA MARIA, 9TH BARONESS FORRESTER (D. 1808) Pastel and gouache on paper laid on canvas, on their original backb...

Signed and inscribed on a label on the verso: No. 1/ The Argument/ W. Cave Thomas/ 203 Camden Rd/ NW Provenance: Christie’s, London, 6 November 1995, lot 88. Private Collection, London. This powerful watercolor is a mature work by the little-known Victorian painter William Cave Thomas...