Glustin Creation Pedestals

Antique Italian Classical Alabaster Marble Carved Spiral Column 28" Short Pedestal. Circa Early 20th Century. Measurements: 28" H x 13.5" Diameter.

Pedestal part of a collection of modular system in ultra high performing cement mortar. UHPC colored in the mixture and sandblasted. Available in eight different colors: Brick, silve...

Groovy travertine pedestal to display your fleurs or favorite sculpture.

A Pair of Postmodern Travertine Pedestals. Circa 1980s Feature a minimalist design and square polished travertine bases with beautiful stone grain In excellent original condition, w...

Antique French neoclassical alabaster pedestal French, Late 19th Century Height 112cm, width 35cm, depth 35cm This elegant and fine pu...

Italian Modern Travertine Pedestal By Angelo Mangiarotti. Offered is a stunning Italian travertine pedestal designed by Angelo Mangiarotti in the 1970's. Our Italian post modern trav...

Neoclassical Alabaster Pedestal, with acanthus motifs, circular top and octagonal base. 39.5" H x 12" Diameter. Provenance: From a New York City Collection.

‘Manarola ’ This listing is for Natural Stone Travertine Block Pedestal in 8” x 19.7” H (20 cm x 50 cm H) There are 3 sizes. Pick 1 or choose set of 3 to make a set. It is a museum ...

ASOS Pedestal by Hermhaus – Sculptural Display Stand for Art and Objects The ASOS Pedestal by Hermhaus is a refined and versatile display stand designed to showcase sculptures, art ...

French Red Alabaster Pedestal, early 20th century, with a square revolving top, on a tapering pedestal, stepped socle and square plinth. 28.75" H x 12" W x 12" D.

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

This elegant 19th century column pedestal, finely carved from creamy white alabaster, is a refined decorative piece that reflects both classical inspiration and the taste for neoclas...