GMD Berlin Tables

circa 1880 19thC French Oak Bank Counter Desk, the matching Waiting Bench is also available separately Ideal for a hotel reception or Lobby, restaurant et...

Stop asking "who's the boss?" and place yourself at the helm of this stunning Art Deco executive desk. Featuring an eye-catching rounded writing surface atop a unique, yet sturdy, T-...

Executive desk formerly belonging to noted architect George M. Notter, (1933–2007) of the Boston firm Anderson Notter Finegold (now known as Finegold Alexander Architects). Current institutional memory at the firm suggests it was a special order from Herman Miller for the then new New York offices of MGM, however Herman Miller's archivist was unable to confirm. Styling, particularly the distinctive slim milled aluminum tracks through which the entire drawer carriage glides is clearly similar to Warren Platner's designs for Lehigh-Leopold which were then among the most costly of executive office furnishings. The bent flat bar chromed steel base with its distinctive pigeon toe splay is somewhat similar to a table base in Stow Davis' Electa Series, designed by Alexis Yermakov circa 1971. Walnut laminate top is very clean with no issues. One corner edge shows a small separation. The only identifying markings are within the milled aluminum channel: G.P. F.I. 2 And the date Dec. 20, 1968. See image 18. Between the rectangular laminate top and the chrome base is a heavy blackened steel plate. Underneath the bent chrome pigeon toe feet are bars of a thick phenolic material which act as floor protector. We can have keys made to fit the two locking drawers. Tim Anderson...

A fabulous original American Art Deco industrial Smartline kitchen work table, designed by Raymond Patten (American, 1897-1948), retailed by Internation...

A French Art Deco style shagreen embossed leather desk in a bright green. With gilded highlight trim, three frieze drawers with modern round pulls, a...

Vintage Dakota Jackson post modern Art Deco style executive partners desk featuring mahogany with leather insert and stainless steel frame. A V-Shape pattern veneer top with Black L...

A French Art Deco style shagreen embossed leather desk in a rich cobalt marlin blue. With gilded highlight trim, three frieze drawers with modern round pulls, and raised on square ta...

"Boomerang" desk, large top in varnished walnut covered with a thick glass. Two chrome plated steel columns. Italy c. 1970 Measure: Width top: 77 cm.

This desk is likely a custom-made piece. The architectural aluminum legs have black anodized aluminum in the center that become the glide at the bottom. There is a band of aluminum a...

'Clara' Executive Desk by Sergio Rodrigues, 1960s, features beautifully grained Brazilian Caviona Wood, Aluminum, and signature trestle base with six drawers. Produced in circa 1960s...

Writing desk by day and vanity table by night; roll desk 02 is a minimal piece with four metal legs supporting a solid wooden top. The top is upholstered in ...

Available today, this midcentury dining table with chrome tubular base and wood is a showstopper! The wood has been refinished, the metal cleaned up and the overall piece is in excellent condition. The table fits 4-6 people comfortably as shown in the pictures. This piece has all the fun aspects of a true bold Mid-Century Modern piece -- clean, angular swooping lines that give the piece an almost googie look that is unmistakably Mid-Century Modern. This table effortlessly flexes into any Mid-Century Modern, modern, Danish modern or contemporary environment. This piece would also look wonderful in a boho chic, chinoiserie, or Hollywood Regency styled home or office as well. This table was found in a private office in Curitiba (the capital of Parana, a southern state in Brazil) where all the furniture was from Geraldo de Barros for Hobjeto. About the author: Geraldo de Barros (1923-1998) was one of the key players of the Modernist movement in Brazil in the 1950s. Originally a painter close to the European avant-garde and the Pioneer of abstract photography in Brazil in the 1940s (his works are part of the MoMa collection), Geraldo de Barros went to furniture-making in the early 1950s, seeking a more popular artform that would make his work available to a larger audience - which was more or less the IDEA behind the Bauhaus movement. In 1954, he founded the company Unilabor with a Dominican priest and skilled tradesmen. Unilabor was run by its employees and all benefits shared between them, thus becoming the first communitarian business in Modern Brazil history. Unilabor grew quickly to become one of the most important furniture companies in the country, but internal disputes led to the end of the company in 1967. In 1964, De Barros went on to found in association with Aloísio Bione another furniture design company called Hobjeto. After Unilabor, Hobjeto was a more capitalistic project but without losing his constructive characteristics. Until his retirement in 1989, de Barros designed and projected in-numerous furniture lines in this Industrial manner. He even built a personal workshop in the factory to project and create his last painting series in Formica. The furniture and the paintings are finally created using the same techniques. Literature: • Vintage ads...