Gordon Cheung Furniture

Artwork by Gordon Cheung, "New Order Still Life with Flowers (after Harmanus Uppink, 1789)", 2021, giclee on canvas This piece is part of Gordon Chueng's New Order Glitches. Glitch A sorting algorithm is used to non-destructively reorder pixels of photographs for distinct bodies of works that Cheung creates. Theoretically the images can be reassembled as if a hyper complex jigsaw to metaphorically suggest not repetitions but how history rhymes. ‘New Order’ series was part inspired by the British band of the same name and from their album cover of ‘Power, Corruption and Lies’ where Henri Fantin-Latour’s still life was used by the designer Peter Saville. He said that the flowers "suggested the means by which power, corruption and lies infiltrate our lives. They're seductive.” The title of the album was chosen from a 1981 conceptual art exhibition in Cologne, Germany when on the opening night the artist Gerhard Richter vandalised the exterior of the Kunsthalle by spray painting the text, ‘Power, Corruption and Lies’. Cheung’s New Order series was a reaction to the 2008 global financial crisis that led him to researching about the 1st recorded economic bubble and crash over the surreal speculation of tulip bulbs during the Dutch Golden Age over 370 years ago that at its peak individual bulbs sold for the price of a house. By using an algorithm that re-orders pixels of high resolution Rijksmuseum photographs of Dutch Golden Age still life...

Artwork by Gordon Cheung, "New Order Still Life with Flowers (after Balthasar van der Ast, c1625-1630)". 2021 Giclee on canvas. This piece is part of Gordon Cheung's new order glitches series. A sorting algorithm is used to non-destructively reorder pixels of photographs for distinct bodies of works that Cheung creates. Theoretically the images can be reassembled as if a hyper complex jigsaw to metaphorically suggest not repetitions but how history rhymes. ‘New Order’ series was part inspired by the British band of the same name and from their album cover of ‘Power, Corruption and Lies’ where Henri Fantin-Latour’s still life was used by the designer Peter Saville. He said that the flowers "suggested the means by which power, corruption and lies infiltrate our lives. They're seductive.” The title of the album was chosen from a 1981 conceptual art exhibition in Cologne, Germany when on the opening night the artist Gerhard Richter vandalised the exterior of the Kunsthalle by spray painting the text, ‘Power, Corruption and Lies’. Cheung’s New Order series was a reaction to the 2008 global financial crisis that led him to researching about the 1st recorded economic bubble and crash over the surreal speculation of tulip bulbs during the Dutch Golden Age over 370 years ago that at its peak individual bulbs sold for the price of a house. By using an algorithm that re-orders pixels of high resolution Rijksmuseum photographs of Dutch Golden Age still life...

Artwork by Gordon Cheung, "Unnamed Tulip 20 (Tulipbook)", 2013, Financial newspaper and acrylic on canvas, measures: 50 x 40 x 5cm “The 2008 credit crisis was a global apocalyptic...