Hannes Wettstein Stools

The French firm, Tolix was the originator of the steel stacking chair in the 1920’s, from Xavier Pauchard’ s original design. Later, Tolix would expand into the steel stacking stools you see in our listing on 1stdibs. We stock the steel Tolix...

A_Stool bar height stool in hot-dipped galvanized steel. A minimal, backless design in steel with a durable coating of zinc. Also available in brushed, sanded, or polished finish. Si...

A rare foot stool from the 'Constanze' (engl. Constance) series designed by Prof. Johannes Spalt for Wittmann, Austria, manufacured in midcentury. Johannes Spalt designed the Const...

Unusual folding foot stool by William Sheppee. Heavy wrought iron and patinated brown saddle leather.

The Wanderlust contemporary counter stool belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned m...

The Hug contemporary counter stool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double...

Vintage bar stools. Durable design of a heavy black metal base and chrome footrest. Orange micro-suede top.

Stainless Steel Kitchen Plopp stool by Zieta Dimensions: D 35 x H 65 cm Material: Stainless Steel. Finish: Polished. Available in colors: Beig...

Set of four stools in solid ash wood, fabric, and woven straw, Italian craftsmanship, design by Augusto Romano, 1950s. This set of four stools features a beautiful and uncommon desi...

Set of two oak wood stools in style of Pierre Chapo. Manufactured in France, circa 1960. Material: Solid oakwood. Pierre Chapo is born in a family of craftsmen. After his regular ...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Since its release, the Spindle chair’s distinctive Silhouette has appeared in a vast array of celebrated commercial and residential interiors. The phenomenally successful piece was inspired by a visit to Louis Kahn’s Exeter Library. Designer Craig Bassam’s imagination was ignited when he noticed the traditional utilitarian chair juxtaposed against the powerful geometry of Kahn’s building. Seduced by its elemental simplicity, Bassam realized an updated spindle back chair would fit perfectly within the BassamFellows ‘Craftsman Modern’ aesthetic. The BassamFellows Spindle chair offers a new take on the classic piece, a descendent of the Classic English Windsor chair. One first notices its weightless quality, which Bassam achieved by using metal for the chair’s legs and spindles, giving the illusion of two floating surfaces. This contemporary reboot makes the spindles less prominent, evoking a less rustic, 21st century setting for the chair. A counterpoint to the metal spindles is the chair’s timber elements, including an ultra-comfortable ergonomic seat carved from solid wood. Given its updated minimal silhouette, ultra-light materiality and concern for comfort, it’s the kind of chair you can envision in many contexts. The Spindle collection includes counter and barstool...