Harry Long Paintings

View of a Port "59" French Modernist School Oil on canvas Illegibly signed. l.r., dated "59" 28 3/4 x 23 3/4 (30 x 25 frame) inches A positively brilliant, Modernist view of a French port...

Abram Tromka (1895-1964) City at Night, ca. 1940. Oil on canvas, 16 x 20 inches; 20 x 24 inches in antique oak frame. Signed lower right. Frame is of the period, but probably not ...

Abstract landscape painting of a white cloud in a light blue sky over an expansive dark brown country field "West Wind," painted by David Konigsberg in 2019 18 x 24 x 2 inches Ready...

Weehawken Sequence, c. 1910-16 Oil on canvas board, 9 x 12 inches (22.9 x 30.5 cm) Framed dimensions: 13 3/8 x 16 1/4 inches John Marin’s long and prolific career is best marked by ...

Abstract landscape painting of a white cloud in a light blue sky over a dark country field "Hayfield Two Thirty," painted by David Konigsberg in 2019 oil o...

This beautiful oil on linen canvas painting, entitled "Rail Crossing: Middletown, was executed by the esteemed artist Jules Halfant (American, 1909-2001)...

Signed lower right, 'Dooley' for Helen Bertha Dooley (American, 1907-1994); additionally signed, verso, titled 'Turquoise Sea' and dated 1983. Exhibited: Carmel Art Association, Cal...

Abstract cloudscape painting of a white cloud over a black country landscape "Black Dirt", painted by David Konigsberg in 2019 23 x 24 inches Ready to hang, sides are painted white ...

RHYTHMS OF THE WIND Size: 48 x 57.5 cm (including frame) Oil on canvas A vibrant mid-century modernist abstract painting that captures the essence of a dynamic landscape through exp...

The artwork "Pájaros" ("Birds"), created by Spanish artist Celia Herranz, is a striking large-format piece, 116 x 89 cm / 45.67 x 35 inches, executed in Indian ink on canvas. This w...

"February 21st - Red" Abstract Expressionist Landscape by William Morehouse The image shows an abstract landscape painting by William Paul Morehouse (American, 1929-1993), titled "February 21st - Red". The painting has a textured application of impasto, in oil on canvas, with dominant earth tones and a contrasting red section at the top. The composition is divided into geometric shapes and lines, suggesting a stylized representation of a landscape. The colors and textures evoke a sense of the Northern California coastal prairie, a recurring theme in Morehouse's work. The painting is signed, titled, and dated 1960 on the reverse., and WM '60 center bottom of painting. Image, 34"H x 20"W x .5"D Signed center at bottom, Signed and dated on verso, with exhibition label and title. Post War California artist, William Paul Morehouse studied at the California School of Fine Arts (1947-1950) receiving his BFA. Not long after graduation from the CSFA he joined the Army during the Korean War. He became a Master Sergeant and was released with a Purple Heart in 1953, at which point he enrolled in courses at the California College of Arts and Crafts (now the California College of the Arts). A transfer to the San Francisco Art Institute the following year led to his Bachelors in Fine Arts, and in 1954 he enrolled at San Francisco State University where in under two years he earned his MFA. He traveled to New York that same year to participate in the Young American Painters exhibition at the Guggenheim, along with Diebenkorn, deKooning, Motherwell, and Jackson Pollock. He soon began dividing his time between the two coasts. Morehouse eventually settled in Bodega Bay permanently, where he continued to paint as part of the group the "Sonoma Four" Selected Group Exhibitions: Pennsylvania Academy of Fine Arts; University of Illinois; Fort Worth Museum; Los Angeles County Museum; National Academy; Oakland Art Museum; Rotunda Gallery, San Francisco; Denver Art Museum; Fourth Annual Exhibition of Contemporary Painting, California Palace of The Legion of Honor 1951; First Pacific Coast Biennial Exhibition, Santa Barbara Museum of Art & California Palace of the Legion of Honor, San Francisco 1955; PACIFIC COAST ART...

A striking, bold colourist painting by Vietnamese artist Ngoc Dung (1931-2000), dating from circa 1960. His highly individualistic art is hard to categorise. In the artist"s own wor...