Henri Clement Serveau Paintings

Views from Cider with Rosie 1 is an Original Oil Painting by Eleanor Woolley. This is a Plein Air painting from one of the Artists favourite view points on the Cotswold escarpment. W...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

Maura Petersen (American, born 1956) "Path", 2023 Oil paint, Canvas, Stretcher bars The artist signed the back of the painting. 'Path' is an evocative oil on canvas painting by Maur...

This oil on canvas painting by artist James Cobb depicts the scenic aspen groves found along the mountainsides in Colorado. Cobb's use of the palette knife helps accentuate the varie...

This 16 x 20 oil on canvas by artist James Cobb depicts a rocky coastal overlook featuring a white home perched in the middle ground with a gray, looming mountain range extending acr...

This oil on canvas by artist James Cobb depicts a typical rural farm setting. The rows of freshly planted groves are accented by Cobb's use of texture via h...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...

Pilgrims Waiting at the Gate shows that flowers, birds and snow are symbols for emotional states or story elements. Dogs sometimes accompany the pale bald “Everywoman” protagonist on her journeys that often take place beneath a starry moonlit sky. She has been called a mythic artist, telling ancient stories that never grow old. Pilgrims are beneath the Moon approaching the Gate as seen in Pilgrims at the Gate in the oil painting on canvas. LOOK FOR 1STDIBS DISCOUNT CODE ON SHIPPING OR GALLERY QUOTE The artists says: "I love to show the strength and optimistic attributes of women. Even when they are in a quandary or in danger, I always try to show a glimmer of hope and wisdom—that they will solve the riddle and make it through, stronger and with dignity. Being bald and shorn of any particular identity, they become all women.” She is also a published poet and her paintings have appeared as cover art for literary journals and poetry collections. Recently her painting “Thoreau’s Pumpkin” was included in the Hudson River Museum...

Steven H. Rehfeld (American, born 1954) "Rolling Hills" 2020 Oil paint, canvas, stretcher bars The artist signed the back of the painting. In "Rolling Hills", Steven H. Rehfeld rend...

Abstract cityscape indebted to Matisse's "View of Notre Dame."

Signed E. Martin Dimension with frame : 76 x 66 x 7 cm This lively oil painting on canvas by Eugène Martin, titled Jour de l’An and dated 1937, captures a festive winter scene in Geneva, likely set in the Jardin Anglais during New Year celebrations. The composition is animated by a dense crowd gathered along temporary fair structures, rendered with brisk, expressive brushstrokes that convey movement and communal energy rather than individual detail. The figures, reduced to rhythmic silhouettes, animate the foreground and lead the eye through the scene. In the background, the Ferris wheel rises as a focal point, symbolizing modern leisure and public festivity, while Swiss flags flutter above, clearly anchoring the scene in its national and geographic context. Martin’s handling of paint is confident and economical. The palette combines muted winter tones—grays, browns, and cool greens—with strategic accents of red and white that punctuate the crowd and flags, reinforcing the celebratory atmosphere. The architectural backdrop and distant landscape are simplified, allowing the human activity to dominate the visual narrative. Stylistically, the painting aligns with interwar European figurative modernism, blending urban genre painting with a painterly, impressionistic sensibility. Executed in 1937, the work offers a compelling snapshot of civic life in pre-war Switzerland, combining documentary value with artistic spontaneity. Signed and dated in the lower right, this painting is a strong example of Eugène Martin’s engagement with public life and urban festivity, and presents an appealing combination of historical context, recognizable location, and dynamic composition. Eugène Martin painting, Eugene Martin Swiss artist, Jour de l’An 1937, Geneva painting...

A lush, jungle setting bursting with plant life is depicted in panoramic view, in this horizontal botanical landscape by Bay Area artist Michael Pauker (American, b. 1957), c.1990s....