Henry M. Sherwood Furniture

Incredible Mission, Gothic, Arts and Crafts style settee, bench, constructed of quarter sawn oak, and oak veneer. The bench features back supports with pyramid form capitals, a drama...

Magnificent and ultra rare Gothic Revival high back hall bench. Striking Dutch design from the 1900s. Solid oak frame with original hand-carved elements in the back and the sides! Un...

Great quality Art Deco style steel and bronze bench, perfect for an entrance or a bedroom.

Circa 1900 English period Edwardian oak bench. The top has been newly upholstered in linen, and is supported on an oak frame with carved decoration around the apron, following down ...

France / 1900 / bench / oak / Rustic / French Provincial A rustic bench with very nice patina in oak wood, crafted around 1900 in France. With two robust legs and a carved stretche...

The bench is made of a filigree construction of powder-coated steel. On this construction rests a frame of solid, lacquered oak tree, which is covered with handwoven stripes of fabri...

The bench is made of a filigree construction of powder-coated steel. On this construction rests a frame of solid, lacquered oak tree, which is covered with handwoven stripes of fabri...

This very small Oak bench will instantly bring a feeling of zen and warmth to your room. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began wo...

Each bench comprised of two joined seats with straight back, curved handholds, pieced side details, supported by arched legs. This pair of benches would be great in an entranceway o...

Circa 1900 oak bench from England. The top is nicely grained and has a beveled edge. The top follows down to a hand carved decorated apron, and supported on hand turned legs, joi...

The Inheritance Bench is a versatile piece that can be used as a chaise extension on any sofa, as an independent seating option or as a large upholstered coffee table...

Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...