Herbert von Reyl Hanisch

723 / 5.000 "Portrait of a Lady – Colored Drawing, Renaissance Style, 19th Century" Dimensions: 65 x 46 cm (frame), 52 x 34 cm (view) A delicate 19th-century drawing, created using...

Portrait of Flapper by C. Brosset, Signed Oil on Canvas c. 1928

Image Size 16"H X 14 3/4"W X 1/2"D
Overall Size 19 1/2"H X 18"W X 1 1/2"D

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

Modern Surrealist Painting Inspired by Pablo Picasso Original surrealist painting by self taught French artist from the city of Sete, France, named El Kalo. This interesting piece of artwork clearly depicts one wonderful painting by this brilliant artist which is inspired by Pablo Picasso and Herve Di Rosa...

This painting is a replica of a painting of a museum potriat painting The portrait showcases the style of the 18th century. ) Kurfürst von Hessen. The framed portrait The image is ...

Oil on canvas European 1900s Very good original condition

An academic oil painting depicting a young man in profile holding a spear, seated. Some flaking in the background, consistent throughout. Framed in a vintage giltwood frame. Circa 1900.

PAIR of English Renaissance style tapestry portraits of a nobleman and lady both wearing large white lace collars in gilt frames (19th Cent)

A late 19th Century Renaissance Revival profile portrait of a young man, Italian School, ca. 1880s. This atmospheric portrait comes to us from a prominent North Shore of Boston fami...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

This splendid oil painting on canvas, in Neo-Renaissance style, depicts a young Florentine man from the Renaissance period. Its workmanship closely rese...