Herman Roderick Volz was a Swiss-American painter, muralist, lithographer, set designer, and mosaic/ceramic artist. He was a politically active champion of the working man and often used his strikingly modernist graphic works as vehicles to address issues of inequality and social injustice. Initially trained by his grandfather, a master in decorative arts, he began his formal study at the Art und Gewerbeschule in Zürich and the Academy of Fine Art in Vienna. He traveled for four years in France, Spain, Italy, Africa, and Holland and then moved to the San Francisco Bay Area in 1933, becoming a US citizen in 1938. During the Great Depression, Volz was appointed a supervisor in the Northern California Art Project and for the Federal Building mural project at the Golden Gate International Exposition (GGIE) Art in Action exhibit from 1939-40. Directing a group of about ten artists he produced two monumental murals (the world’s largest at the time) on the facade of San Francisco’s Federal Building titled The Conquest of the West. In 1940-42 with another team of workers he created two large, low-relief polished marble mosaic panels for the Golden Gate International Exhibition “Art in Action” World's Fair which were later installed at San Francisco City College. The murals titled Organic and Inorganic Science represent the fields of physics, chemistry, biology, and mathematics. The slogan of the mural reads ‘Give me a base and I move the world. From 1944-48, Volz worked in Hollywood, as a scenic artist and technical director at Actors' Laboratory Theatre, and he also designed sets for MGM and Paramount Studios. Volz was a member of the California Watercolor Society and the San Francisco Art Association. He exhibited at Berlin National Exhibition (1927), Paris Salon (1937), San Francisco Art Association (1938–41), Golden Gate International Exposition (1939), and San Francisco Museum of the Legion of Honor (1937–41), and won the San Francisco Art Association prize in 1937.
$725
Herman Volz Original Woodcut, Social Unrest of the 1960s, Rioters
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 14 1/2," sheet measures...
Paper
THE PARTISAN (SF Dock strike)
By Herman Roderick Volz 1
Located in Santa Monica, CA
HERMAN VOLZ (Swiss/American 1904 - 1990) THE PARTISAN, 1937 Lithograph, signed and no. in pencil. Edition 30. 10 1/2 x 14. Sheet 11 1/4 x 17 1/2" Generally good condition aside fro...
Lithograph
Herman Volz Original Woodcut, Social Unrest of the 1960's, Confrontation
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...
Paper
Herman Volz Original Woodcut, Social Unrest of the 1960's, Disbursing the Riot
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...
Paper
Herman Volz Original Woodcut, Social Unrest of the 1960's, Social Unrest
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 24 1/2" x 11," sheet measures 29"...
Paper
$2,000Sale Price|20% Off
H 39 in W 36 in D 0.1 in
"Keith Richards Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti
By Gerard Marti
Located in Culver City, CA
"Keith Richards Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist.
Paper, Digital
Pintail
Located in San Francisco, CA
This artwork titled "Pintail" c.1990 is a color lithograph by noted Wild life American artist Christopher Forrest, b.1946. It is hand signed, titled and numbered 86/300 in pencil by the artist. The image size is 17.5 x 22.85 inches, framed size is 27.35 x 32.5 inches. Custom framed in a oak frame, with light brown matting. It is in excellent condition About the artist: Born in Trenton, New Jersey, 1946 Interested in art from the age of 7, Christopher Forrest still speaks fondly of a set of colored pencils presented to him then by his parents; At 11, he won his first award for painting and started exhibiting in galleries. Along with his interest in art grew a keen attraction for the outdoors and the wildlife which thrived there. After considering schooling in art, Chris chose to study civil engineering. Upon graduation from Virginia Polytechnic Institute, Chris began a career as a commissioned officer in the United States Army Corps of Engineers. The Army provided Chris the opportunity to observe wildlife from the swamps of Florida to the lakes of Quebec, in addition to Europe and Viet Nam. In 1973, the Army sent Chris to graduate school at North Carolina State University, at this time Chris started to paint wildlife. Chris resigned from the Army in 1978 and took a position as an artist with Evergreen Publishing Co. He has produced more than thirty original graphic editions for Evergreen. His original graphics are handled by some 350 galleries in North America. He is currently General Manager at Evergreen. His work and articles about his work have appeared in numerous wildlife and art publications. Chris strongly believes in wildlife conservation and is a member of many conservationist organizations. His donated prints have raised a great deal of money for Ducks Unlimited, Newjersey, Audubon and Ward Foundations. In 1980 he realized one of his major professional goals. He was elected to membership in the Society of Animal Artists. "Creating a painting or graphic is an exciting adventure and challenge for me. Starting with the observation of the animal in the wilderness, I then approach the painting with the attitude that it will be my finest work." COLLECTIONS National Academy of Science, Washington, D.C. New Jersey State Museum, Trenton, N.J. Ferrum College, Ferrum, Va. Franklin Mint, Franklin Center, Pa. Parsons, Brinkerhoff, Quade & Douglas, consulting Engineers, N.Y.C. Fine Art Corporation of America, N.Y.C. Central Carolina Bank, Raleigh, N.C. Ward Foundation Museum, Salisbury, Md. New Jersey Audubon Society, Rancocas, N.J. I.B.M., Louisville, Ky. American World Airways (Pan Am), Miami, Fla. Baush & Lomb, Rochester, N.Y. Thermos, Norwich, Conn. Metro-Goldwyn Mayer, Ca. Ford Motor Co., Atlanta, Ga. Chemical Bank, N.Y.C. City Bank, N.Y.C. ONE-MAN SHOWS N.J. State Museum, Trenton, N.J. 1979 Palette Gallery, Cary, N.C., 1973,-74,-77,-78,-79 Lambertville House, Lambertvi lie, N.J., 1975-76 Triangle Art, Trenton, N.J., 1975 INVITATIONAL SHOWS Triangle Art Christmas Show, 1975 Golden Door Gallery Wildlife Show, New Hope, Pa., 1976 Ward Foundation Wildlife Art & Carving Exhibition, Salisbury and Ocean City, Md., 1976,-78,-79 Easton Waterfowl Art...
Lithograph
$2,250
H 28 in W 21.75 in D 0.05 in
Original 'The U. S. Marines Want You' vintage military recruiting poster
Located in Spokane, WA
Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...
Lithograph
Tulips in a Vase
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...
Lithograph
$3,500
H 25.75 in W 28 in D 1 in
“Mobile (The Inventor), 1953” Paul Cadmus Magical Realism Serigraph Signed
By Paul Cadmus
Located in Yardley, PA
“Mobile (The Inventor), 1953” by Paul Cadmus (American, 1904-1999). A figure painter known from the 1930s on for his baldly satirical commentaries on human appetites and desires, Ca...
Paper
$583
H 9.45 in W 7.09 in
Duality of expression. Limited edition print, Surreal, Established Polish artist
By Rafał Olbiński
Located in Warsaw, PL
Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...
Paper, Color
$899
H 32.75 in W 19.75 in D 0.01 in
The Jewish Welfare Board original 1918 vintage World War 1 antique poster
By Sidney Riesenberg
Located in Spokane, WA
The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...
Lithograph
$3,300
H 29.5 in W 24 in
Norman Rockwell, 'Jim got down on his knees', 1972, Litho, a.p., Signed, Framed
By Norman Rockwell
Located in Columbia, MO
Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...
Lithograph
$583
H 9.45 in W 7.09 in
Clown of many faces. Limited edition print, Surreal, Established Polish artist
By Rafał Olbiński
Located in Warsaw, PL
Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...
Paper, Color
The Vera Stretz Murder Trial
By William Sharp
Located in Fairlawn, OH
The Vera Stretz Murder Trial Lithograph, 1936 Signed in pencil lower right (see photo) Initialed W.S. in the image lower right (see photo) Dated in the image lower right (see photo) ...
Lithograph
$500
H 19 in W 22 in
US Open Golf Tournament, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - US Open Golf Tournament, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 600, Size: 19 x 22 in. (48.26 x 55.88 cm)
Lithograph
$250
H 20 in W 28 in
A Last Look Back, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Last Look Back, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 25 inches, S...
Lithograph
Industrial Accident
By Herman Roderick Volz 1
Located in Myrtle Beach, SC
Herman Roderick Volz, 'Industrial Accident', lithograph, 1942, edition 20. Signed, titled and numbered '6/20' in pencil. Signed in the stone, lower left. A fine, rich impression, on cream, wove paper, with full margins (1 1/8 to 1 3/4 inches), in excellent condition. Matted to museum standards, unframed. Reproduced and exhibited: 'L’Amérique de la Dépression: Artistes Engagés des Années 30', Musée-Gallerie de la Seita, Paris, 1996. Impressions of "Industrial Accident' are in the collections of the Crystal Bridges Museum of American Art and the Fine Arts Museums of San Francisco. Volz’s other graphic works are held in the collections of Detroit Institute of Arts, Museum of Wisconsin Art, Metropolitan Museum of Art, Museum of Wisconsin Art. ABOUT THE ARTIST Herman Roderick Volz (1904–1990) was a Swiss-American painter, muralist, lithographer, set designer, and mosaic/ceramic artist. He was a politically active champion of the working man and often used his strikingly modernist graphic works as vehicles to address issues of inequality and social injustice. Initially trained by his grandfather, a master in decorative arts, he began his formal study at the Art und Gewerbeschule in Zürich and the Academy of Fine Art in Vienna. He traveled for four years in France, Spain, Italy, Africa, and Holland and then moved to the San Francisco Bay Area in 1933, becoming a US citizen in 1938. During the Great Depression, Volz was appointed a supervisor in the Northern California Art Project and for the Federal Building mural project at the Golden Gate International Exposition (GGIE) Art in Action exhibit from 1939-40. Directing a group of about ten artists he produced two monumental murals (the world’s largest at the time) on the facade of San Francisco’s Federal Building titled ‘The Conquest of the West’. In 1940-42 with another team of workers he created two large, low-relief polished marble mosaic panels...
Lithograph
'Giving Chase' California Modernist Oil Painting
By Herman Roderick Volz 1
Located in Surfside, FL
Three male figures are depicted in action. The figures seemed to be captured in movement while running together in the same direction. The figures are stylized, and elongated instead of realistically rendered. Herman Roderick Volz (1904–1990) Swiss-American painter, muralist, lithographer, set designer, decorative artist and ceramist. He was politically active, vocal and often made social statements through his imagery and he was especially taken by the industrial horizon of his adopted home of San Francisco Bay Area. Many of his art pieces done for the Federal Art Project (FAP, WPA), for example, were of men at work and of docks, piers, and railroad yards. Herman Roderick Volz was born December 25, 1904 in Zürich, Switzerland. His first training was under the tutelage of his grandfather, a master in decorative arts. He then started his formal training at the Art und Gewerbeschule in Zürich, the Academy of Fine Art in Vienna, and travelled for four years in France, Spain, Italy, Africa and Holland, eventually moving to the San Francisco Bay Area in 1933. By 1938 he became a US citizen. During the Great Depression, Volz was appointed to the position of supervisor in the Northern California Art Project and supervisor for the Federal Building mural project at the Golden Gate International Exposition (GGIE) Art in Action exhibit from 1939-1940.[4] He painted the two large mural on two sides of a large federal building called, The Conquest of the West, and on one side of the building it was By Land and the other was By Sea. This particular mural was the world's largest at the time and had around ten artist helping including Jose Ramis, John Saccaro...
Oil