Herman Roderick Volz Art
American, Swiss, 1904-1990
Herman Roderick Volz was a Swiss-American painter, muralist, lithographer, set designer, and mosaic/ceramic artist. He was a politically active champion of the working man and often used his strikingly modernist graphic works as vehicles to address issues of inequality and social injustice. Initially trained by his grandfather, a master in decorative arts, he began his formal study at the Art und Gewerbeschule in Zürich and the Academy of Fine Art in Vienna. He traveled for four years in France, Spain, Italy, Africa, and Holland and then moved to the San Francisco Bay Area in 1933, becoming a US citizen in 1938. During the Great Depression, Volz was appointed a supervisor in the Northern California Art Project and for the Federal Building mural project at the Golden Gate International Exposition (GGIE) Art in Action exhibit from 1939-40. Directing a group of about ten artists he produced two monumental murals (the world’s largest at the time) on the facade of San Francisco’s Federal Building titled The Conquest of the West. In 1940-42 with another team of workers he created two large, low-relief polished marble mosaic panels for the Golden Gate International Exhibition “Art in Action” World's Fair which were later installed at San Francisco City College. The murals titled Organic and Inorganic Science represent the fields of physics, chemistry, biology, and mathematics. The slogan of the mural reads ‘Give me a base and I move the world. From 1944-48, Volz worked in Hollywood, as a scenic artist and technical director at Actors' Laboratory Theatre, and he also designed sets for MGM and Paramount Studios. Volz was a member of the California Watercolor Society and the San Francisco Art Association. He exhibited at Berlin National Exhibition (1927), Paris Salon (1937), San Francisco Art Association (1938–41), Golden Gate International Exposition (1939), and San Francisco Museum of the Legion of Honor (1937–41), and won the San Francisco Art Association prize in 1937.
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Artist: Herman Roderick Volz
Herman Volz Original Woodcut, Social Unrest of the 1960's, Disbursing the Riot
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz.
Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...
Category
Mid-20th Century Herman Roderick Volz Art
Materials
Paper
Herman Volz Original Woodcut, Social Unrest of the 1960s, Rioters
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz.
Pencil signed by the artist lower right. Image measures 11 1/2" x 14 1/2," sheet measures...
Category
Mid-20th Century Herman Roderick Volz Art
Materials
Paper
Herman Volz Original Woodcut, Social Unrest of the 1960's, Confrontation
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz.
Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...
Category
Mid-20th Century Herman Roderick Volz Art
Materials
Paper
THE PARTISAN (SF Dock strike)
By Herman Roderick Volz 1
Located in Santa Monica, CA
HERMAN VOLZ (Swiss/American 1904 - 1990)
THE PARTISAN, 1937
Lithograph, signed and no. in pencil. Edition 30. 10 1/2 x 14. Sheet 11 1/4 x 17 1/2" Generally good condition aside fro...
Category
1930s American Realist Herman Roderick Volz Art
Materials
Lithograph
Herman Volz Original Woodcut, Social Unrest of the 1960's, Social Unrest
By Herman Roderick Volz 1
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz.
Pencil signed by the artist lower right. Image measures 24 1/2" x 11," sheet measures 29"...
Category
Mid-20th Century Herman Roderick Volz Art
Materials
Paper
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Herman Roderick Volz, 'Industrial Accident', lithograph, 1942, edition 20. Signed, titled and numbered '6/20' in pencil. Signed in the stone, lower left. A fine, rich impression, on cream, wove paper, with full margins (1 1/8 to 1 3/4 inches), in excellent condition. Matted to museum standards, unframed.
Reproduced and exhibited: 'L’Amérique de la Dépression: Artistes Engagés des Années 30', Musée-Gallerie de la Seita, Paris, 1996.
Impressions of "Industrial Accident' are in the collections of the Crystal Bridges Museum of American Art and the Fine Arts Museums of San Francisco. Volz’s other graphic works are held in the collections of Detroit Institute of Arts, Museum of Wisconsin Art, Metropolitan Museum of Art, Museum of Wisconsin Art.
ABOUT THE ARTIST
Herman Roderick Volz (1904–1990) was a Swiss-American painter, muralist, lithographer, set designer, and mosaic/ceramic artist. He was a politically active champion of the working man and often used his strikingly modernist graphic works as vehicles to address issues of inequality and social injustice.
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Herman Roderick Volz (1904–1990) Swiss-American painter, muralist, lithographer, set designer, decorative artist and ceramist. He was politically active, vocal and often made social statements through his imagery and he was especially taken by the industrial horizon of his adopted home of San Francisco Bay Area. Many of his art pieces done for the Federal Art Project (FAP, WPA), for example, were of men at work and of docks, piers, and railroad yards.
Herman Roderick Volz was born December 25, 1904 in Zürich, Switzerland. His first training was under the tutelage of his grandfather, a master in decorative arts. He then started his formal training at the Art und Gewerbeschule in Zürich, the Academy of Fine Art in Vienna, and travelled for four years in France, Spain, Italy, Africa and Holland, eventually moving to the San Francisco Bay Area in 1933. By 1938 he became a US citizen.
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Mid-20th Century American Modern Herman Roderick Volz Art
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Oil
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