Hermann Ottomar Herzog Wall Decorations

An oil on canvas by American artist Gordon Hope Grant featuring a schooner off of the coast. This painting is signed and dated i1945 n the lower left and measures 33.5" x 33.5" incl...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...

A vintage original oil painting of a seascape, dated 1923. The painting shows a sandy shoreline, scattered rocks, wind-shaped trees, and calm water stretching toward the horizon. Presented in its original gilded frame, it is ready to hang. Painted in muted blue, green, and earthy tones, this is a striking piece that works well in a living room, hallway or study. The painting is signed by the Scandinavian artist Jørg. Groth and dated 1923. Period: 20th century, 1923 Material: Oil on canvas Frame: Original gilded frame Colours: Blue, green, brown, gold Signed: Yes, signed by the artist Jørg. Groth and dated 1923 Country of origin: Denmark Style: Vintage / European rustic Condition: Good vintage condition. Wear is consistent with age and use. The painting is in original condition and is ready to hang. Size with frame in inches: Height: 22 in Width: 29 in Depth: 1 in Size with frame in cm: Height: 57 cm Width: 74 cm Depth: 4 cm Like this piece? See similar paintings in my shop Key details Vintage seascape painting...

A contented musician taking a quick break from his playing to enjoy a quiet glass of wine in the cellar. This painting on panel by Austrian Hermann Armin Kern is signed in the lower left and features one of the artist's favorite characters. The piece measures 20.75" x 14.5" including the frame. Hermann Armin Kern was a painter of portraits and genre subjects. He was born in 1839.Kern made his debut in Vienna in 1880; he also exhibited in Munich. Paintings by the artist can be found in many European collections.Golden old age was fertile subject matter for Hermann Kern...

Elegant and evocative, this superb oil on canvas signed Godchaux embodies the art of 19th-century Romantic landscape painting, where majestic nature and poetic atmospheres meet. The...

Large impressive antique Chinese landscape painting, signed and framed under glass. Mixed media on paper, watercolor, ink and gouache.

Antique original oil on canvas painting by Paul E. Harney, circa 1901. This wonderful Harney barnyard scene is in good vintage condition and measures 18.5" x 15.5" x 1.5" overall and...

Irene Cafieri Contemporary Oil on Canvas 1970s Measures: 36″ X 24″ Lovely landscape by contemporary artist.

Vintage Oil on Board Painting “Oregon Coast” Signed by Bernice Stanbro C1940 Measures - 17.75"H x 21.75"W x 2"D A vintage oil on board painting titled 'Oregon Coast' by Bernice Stanb...

Fitger Hermann - Vase of Flowers with Fruit Measures: 32cm x 44cm - frame excluded 50cm x 62cm - with antique fir frame oil on canvas applied to cardboard - 1946 20th cen...

A wonderfully large and vibrant landscape painting from France. Signed in the bottom right corner by the artist. Protected behind antique rolled glass...