Hidetaka Ohno

Tozaburo Ohno (大野藤三郎) A Japanese-style painter known for his refined depictions of koi carp and seasonal flowers. Born in 1917 in Osaka (though some sources cite Kyoto), he studied ...

A set of six chinoiserie panels lacquered in a deep red with accents of gold and teal blue. This work of art depicts a lively scene and intricate det...

These Indian miniature paintings showcases an elegantly dressed Indian man and a lady, the lady elegantly dressed in a traditional sari and adorned with int...

Silver foil folding screen Material: Paper pasted on wooden frame 1 piece: Width 595 x Height 1740 x Depth 18 mm Expanded size: Width 3610 mm Folded size: Width 615 x Height 1740 x D...

A large print created by Ryunosuke Fukui, a highly acclaimed modernist artist from Japan who lived between 1923 and 1986. Fukui's art has been exhibited in many prestigious museums a...

Chinese Coromandel figural red lacquer 12-panel screen depicting pagoda and landscape scenes, decorative gilt floral border panels, gilt carved lower panels, and reverse side depicti...

Early 20th century Japanese illustrated toy books. "Unai No Tomo". Ca. 1911. 3 volumes from the larger set. Each volume includes numerous color woodblock illustrations of various toy...

A Chinese two-panel screen from the early 20th century, with carvings, gilt motifs and calligraphy. Created in China during the early years of the 20th century, this screen features ...

Rimpa Floral Scene with Chrysanthemum, Morning Glories and Blue Bell Flowers. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

Anonymous Late 17th Century Battle of Ichi-no-tani & Yashima Dimensions: Each Screen: H. 175 cm x W. 385 cm (69” x 151.5”) This pair of Japanese screens depict two significant battles from the Genpei War (1180–85), as recounted in the Tale of the Heike, a semi-historical epic chronicling the conflict between rival clans for control of Japan, written in the early 1200s. Each screen portrays a single battle through a series of small episodes, framed by gold clouds, landscape elements, and architectural features. True to the style of many screens inspired by The Tale of the Heike, the scenes are rendered in lavish colors and gold, downplaying the brutality of the warfare. Although based on real events, these narratives often glorified and romanticized the heroic feats of the warriors. Viewers at the time would have been familiar with the story’s details, leading to a proliferation of paintings on folding screens inspired by this theme from the late Muromachi to the early Edo periods. On the right screen, we see the Minamoto’s attack on the Taira, who have retreated from the capital, Kyoto, toward the sea. The central building represents the temporary Taira headquarters, where Taira soldiers are holding the young Emperor Antoku. The Minamoto plan to launch a surprise attack from the rear after descending the steep cliff known as Ichi-no-tani, depicted at the top center. This scene highlights the tactical brilliance of Minamoto commander Yoshitsune and the courage of his men. The left screen captures moments from the Battle of Yashima...

Mineral pigments on gold leaf. Signature and seal read: Anei H-eishin Boshun ga, dated: late spring 1766 with a dedication to Okyo (Maruyama).

Tozaburo Ohno (大野藤三郎) A Japanese-style painter known for his refined depictions of koi carp and seasonal flowers. Born in 1917 in Osaka (though some sources cite Kyoto), he studied ...