Hippolyte Fournier Paintings

Late 19th century painting done after an 1890 Newsboy Plug Tobacco advertising card titled "The Last Look." At the time, a customer could trade in 10 paper tags that came with the to...

In the Bazaar II, 1834-1855, by Theodore Frere (1814-1888) Oil on wood 7 x 5 inches unframed (17.78 x 12.7 cm) 10 ⅝ x 9 inches framed (26.9875 x 22.86 cm) Signed on lower right Desc...

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

French realist artist of the 19th century oil painting on board, unframed board: 12.5 x 10.5 inches provenance: private collection, France condition: ...

Hendricks Hallett Ships at Sunset Signed lower left Oil on canvas 22 x 27 inches Hallett, originally from Massachusetts, pursued his studies in Antwerp and Paris. He is primarily r...

French school of 19th century Academy study - Naked man Oil on canvas 81 x 56,8 cm Inscribed "Julien" on the backside Without signature

After the original by Henrika Langus (Slovenian, 1836-1876) and painted circa 1880. Unsigned. Framed dimensions: 17.25 x 1 x 15.5 inches. A charming and antique study of a young, f...

Edward Percy Moran Portrait of a Woman Signed lower right Oil on canvas 30 x 20 inches Provenance: The Madison Gallery, Atlanta Percy Moran was the son of marine painter Edward Mo...

Marsha Whitesides Piper's (US based) "Cherries and Tea" is an oil painting depicting six red cherries placed with a reflective tea kettle in a dark interior. Artist statement: The ...

Eugen von Blaas Italian I 1843-1932 The Water Carrier Signed and dated "E. von Blaas 1891" (lower right) Oil on canvas Eugen von Blaas’ unparalleled skill for genre painting is on...

Firmado en la parte inferior con iniciales (pero desconozco el artista) Se presenta enmarcada la obra Medidas obra: 139 cm. de altura x 104 cm. de ancho Medidas obra: 154 cm. de a...

Jean Béraud 1849-1935 French Les Grands Boulevards (Café Américain) Signed "Jean Béraud" (lower left) Oil on panel Jean Béraud’s Les Grands Boulevards (Café Américain) exquisitel...