Howard Bingham Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

July 25, 1961. Singer Dean Martin and Sammy Davis, Jr. sit at a table as fellow singer and Rat Pack member Frank Sinatra pours Jack Daniels from a bottle at the Cocoanut Grove during...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

A black and white nude portrait by Victor Carnuccio. Self Portrait 2000 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 25) 14 x 11 inches, sheet 13 x...

TECHNICAL INFORMATION Schiller, Lawrence Marilyn Monroe Birthday Cake 1962 / 2007 Silver Gelatin Print 30 x 40 in. Edition of 75 Signed & numbe...

A moment of harmony… male with female, African with Hispanic… joined together in the dance that is Cuba. James Sparshatt’s photographs of music and dance capture the emotion and int...

Mick Jagger of The Rolling Stones by iconic photographer, Baron Wolman, Taken on the set of "Performance" in London, September 1968. One copy available 11x14” hand printed silver ge...

A photograph of Mick Jagger and Andy Warhol together in New York City in January of 1977. Estate Stamped and Numbered

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Sonny Stitt performing in NYC. 1953 Photograph signed by photographer Limited Edition Herman Leonard took intimate, decisive photographs of nearly every ...

Photograph by Herman Leonard Miles Davis drawing at his Malibu, CA. 1989 Signed by the late photographer Herman Leonard.

Sally Mann Larry Shaving, 1991 Gelatin silver print Framed Dimensions: 25.75 x 29.67 inches (65.4 x 75.4 cm) Image Dimensions: 18 x 22.3 inches (45.7 x 56.6 cm) Edition 3/25