Igor Vishnyakov Art
Russian, b. 1968
Moscow, Russia, 1968
Established Russian artist Igor Vishnyakov mixes painting and photography in his artwork.
Vishnyakov spent his in youth in Africa and Southeast Asia. In 1990 he moved to New York, where lives and works to this day. Although he does not live in Russia, he has remained in contact with the Russian art scene, taking part in exhibitions organized by The New Academy of Fine Arts in St. Petersburg.
Projects such as 'Five Elements' (2004) and 'Tarot Cards' (2003) are characteristic of his work, as Vishnyakov is attracted to esoteric things, finding inspiration in oriental spiritual practices. In each concept that he refers to Vishnyakov looks for his own harmony, a fundamental principal in his art.
In his search for new ways of combining techniques and materials, Igor Vishnyakov utilizes the possibilities of photography united with the unique character of painting by hand. Using traditional methods of hand painted photography together with the latest computer technology, Vishnyakov is able to break the borders between painting and photography.
SELECTED EXHIBITIONS
2006 - PicassoMio.com
2001 - Leslie Lehman Gallery , New York, U.S.A. - Children , Egizio's Project , New York, U.S.A.
2000 - New Academy of Fine Arts, St. Petersburg, Russia. - Sinebrukhov Museum , Helsinki, Finland.
1999 - Galerie Didier Vesse, Aigues-Mortes, France - Colectiva, Pezenas, France - Gum bichromate Photography, Hermitage Museum , St. Petersburg, Russia
1998 - New Academism , Museum of Western Art, Riga, Latvia.
1997 - Kabinet, Museo Stedelijk, The Netherlands.
1995 - New Academy of Fine Arts, St. Petersburg, Russia.
1994 - Eros and Identity , Stuart Levy Gallery, New York, U.S.A.
1989 - 150th Anniversary of Photography , The Manege Museum, Moscow, Russia. - Contemporary Soviet Photography , Comptoir de la Photography, Paris, France. - Labyrinth , Die Neue Kunst aus Moskau , Hamburg, Germany.
1988 - The Manege Museum, Moscow, Russia.
1987 - Ecology, Hermitage Garden, Moscow, Russia.to
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Artist: Igor Vishnyakov
Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Arabic Photo
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid...
Category
Early 2000s Conceptual Igor Vishnyakov Art
Materials
Mixed Media, Photographic Paper
Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Bichromate Photo
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...
Category
Early 2000s Conceptual Igor Vishnyakov Art
Materials
Mixed Media, Photographic Paper
Post Soviet Russian Avant Garde Photograph Mixed Media Gum Arabic Photo Painting
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...
Category
Early 2000s Igor Vishnyakov Art
Materials
Mixed Media, Photographic Paper
Post Soviet Russian Avant Garde Photograph Mixed Media Gum Arabic Photo Painting
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...
Category
Early 2000s Contemporary Igor Vishnyakov Art
Materials
Mixed Media, Photographic Paper
Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Arabic Photo
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...
Category
Early 2000s Igor Vishnyakov Art
Materials
Mixed Media, Photographic Paper
Individually framed Alphabet Suite, Edition 3/10, hand signed and numbered.
By Igor Vishnyakov
Located in New York, NY
Igor Vishnyakof limited edition (3/10) individually framed hand gold glazed sepia photographs.
All pieces are hand signed and numbered by the artist.
This installation was featured...
Category
1990s Contemporary Igor Vishnyakov Art
Materials
Photographic Paper, Archival Pigment
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Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Arabic Photo
By Igor Vishnyakov
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state.
In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is the Asian Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India, nude figures or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova.
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By Igor Vishnyakov
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Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state.
In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova.
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Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state.
In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova.
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Early 2000s Igor Vishnyakov Art
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Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Bichromate Photo
By Igor Vishnyakov
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Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state.
In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova.
SELECTED GROUP SHOWS
Beauty of the Beast, Mimi Ferzt Gallery New York
Mystical Neo-Realism, Barbarian Art Gallery
Passion Bild. Bern Kunstmuseum Bern
MIR Faberge, Royal Academy of Arts, London
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Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Arabic Photo
By Igor Vishnyakov
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Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community.
He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others.
In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg.
His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state.
In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is the Asian Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India, nude figures or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual.
Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova.
SELECTED GROUP SHOWS
Beauty of the Beast, Mimi Ferzt Gallery New York
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MIR Faberge, Royal Academy of Arts, London
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Category
Early 2000s Igor Vishnyakov Art
Materials
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Igor Vishnyakov art for sale on 1stDibs.
Find a wide variety of authentic Igor Vishnyakov art available for sale on 1stDibs. You can also browse by medium to find art by Igor Vishnyakov in paper, photographic paper, mixed media and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Igor Vishnyakov art, so small editions measuring 9 inches across are available. Igor Vishnyakov art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,600 and tops out at $26,000, while the average work can sell for $4,250.