Furniture

A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...

Henri Matisse (French, 1869-1954) Elle vit apparaitre le Matin, Elle su tut discretement, 1950 Lithograph in colors on wove paper. W 11 15/16 x L 32 3/16 in (30.4 x 81.2cm) Fold out...

The posters and prints may display signs of aging, such as paper discoloration, tears, folds, and other imperfections. These pieces were part of an art collection owned by a German architect, who carefully sourced them over the past 50 years. A minimalist, architectural poster...

Untitled plan of a design for a country landscape garden. This print originates from 'Magazijn van tuin-sieraden'. The book is compiled by Gijsbert van Laar, providing a survey - chi...

Set of 3 Antique Greek Architecture and Ornament Prints from 1887, Neoclassical This exceptional set of three antique prints offers a detailed and inspiring look at the richness of ...

Untitled plan of a design for a country landscape garden. This print originates from 'Magazijn van tuin-sieraden'. The book is compiled by Gijsbert van Laar, providing a survey - chi...

Antique print titled 'Jardin de la Compagnie au Cap de Bonne Esperance, Compagnies Tuyn aan de Kaap de Goede Hoop'. This print depicts the Gardens at Cape of Good Hope (VOC). This pr...

Villa Weber – French Architectural Lithograph from La Brique, Paul Sédille, c.1900 This beautifully colored antique lithograph presents Villa Weber, an elegant residence designed by the notable French architect Paul Sédille. The print originates from La Brique et La Terre Cuite by P. Chabat, an important architectural series showcasing decorative uses of brick and terracotta in 19th-century French architecture. The illustration displays the villa’s richly ornamented façade, with symmetrical proportions and a balanced mix of classical and modern influences. Architectural features such as arched windows, decorative panels, balustrades, and a hipped roof are rendered in precise detail. The use of polychrome brickwork and terracotta ornamentation was typical of Sédille’s architectural style, which helped popularize these materials in French building design. This print would have been used as a visual reference for architects, students, and builders, highlighting the potential for refined residential architecture using industrial materials. Today, it serves as an attractive and informative piece of architectural history and is highly suitable for framing. Ideal for collectors of 19th-century architectural drawings, fans of French design, or interior decorators seeking classical architectural prints...

Antique print titled 'Greek-Byzantine - Greco-Byzantin - Griechisch-Byzantinisch'. Chromolithograph of architecture and manuscripts ornaments. This print originates from 'l'Ornement ...

This hand-colored print is labeled "Habit of Rubens Wife, in 1620." It depicts a woman dressed in the style that would have been fashionable among the upper echelons of society in th...

This is the title page from "Recueil Des Plus Beaux Édifices Anciens et Modernes," a compilation celebrating the finest architectural designs and decorative works, published in 1761 and renewed in 1766. The engraving features an elaborate frame adorned with classical columns, cherubs, and cartouches. At the top, a medallion portrait is prominently displayed, flanked by richly detailed ornaments. Jacobs Vignellius, whose name appears on the medallion in the engraving, is not a widely recognized historical figure. His inclusion in the artwork might refer to an individual associated with architecture, design, or art history at the time. It is possible he was a patron, contributor, or editor connected to this collection of architectural and decorative works. Below, a collection of artistic and architectural elements, including a globe, drapery, and tools, symbolizes the artistic endeavors of the period. The engraving is signed by Babel as the engraver and P. Audouin as the publisher. Translation of Text: "Recueil Des Plus Beaux Édifices Anciens et Modernes. Including canopies, chimneys, doors, sideboards, altars, several organ cases, pulpits, confessionals, and others; works of carpentry, as well as innovations in ironwork such as grilles, balconies, railings for staircases, gates, hinges, and other items made by master craftsmen. From various pieces chosen and executed in gold and silver, comprising candelabras, chandeliers, candlesticks, lavers, lanterns, and other ornamental objects. Furthermore, church ornaments and the apparatus used for holy water basins and other sacred items, carved and painted decorations, and objects used for public ceremonies. Including the finest parts of architecture and ornamentation, executed according to the principles of art and proportion. Newly revised and corrected based on the most beautiful examples in this field. Dedicated to lovers of fine arts. Published in 1761 and renewed in 1766." Analysis: This title page exemplifies the Rococo style, characterized by intricate detailing, symmetry, and an emphasis on elegance and sophistication. The inclusion of cherubs and a medallion portrait underscores the celebratory nature of the publication. The ornate design of the title page reflects the opulence of the content, aimed at art and architecture enthusiasts. It serves both as an introduction to the collection and as a work of art in its own right. Potential Keywords for Catalog: Architectural engravings, 18th-century design, Rococo architecture, Jacques Rigaud...

Untitled print of garden architecture. It shows garden buildings. This print originates from 'Magazijn van tuin-sieraden'. The book is compiled by Gijsbert van Laar, providing a surv...