Itamar Siani Figurative Paintings

"The American" is certainly not one of Bailey's most flattering portraits, but is is familiar nonetheless. Who hasn't seen this expression in life?

This captivating 1950s oil on canvas portrait, possibly depicting the French singer Barbara, exudes an air of mystery and existential reflection. While the identity of the subject re...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Oil on canvas by Louis BERTHOMME SAINT-ANDRE, France, 1940s. Young Red-haired Woman. with frame: 74x63 cm - 29.1x24.8 inches ; without frame: 61x50 cm - 24x19.7 inches. Format 12F. ...

Oil on canvas *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with bou...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Wisdom Uche...

Oil on canvas by Vicente CRISTELLYS (1898-1970), School of Paris, late 1950s. "Lolo", portrait of Gina Lollobrigida in Notre-Dame de Paris (film). Arriving in Paris during the 1920s, Vicente Cristellys settled in Montparnasse like many of his colleagues from the Ecole de Paris. He paints characters and scenes largely inspired by his native Spain. It was after a bohemian period that he began to illustrate cinema posters and he managed to settle in the Parisian cinematographic milieu. For example, he will sign posters for The Big Sleep, The Man in The iron mask...

"Idiot Wind, Sweet Reason" is an acrylic painting on canvas measuring 24" high by 36" wide. Again cutting to the quick, Dale Williams posits our best and worst instincts as a duality, and that duality as a confrontation. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – as hideous as these personnages may be in Idiot Wind and Sweet Reason, we recognize their struggle for grace. Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams has exhibited in the New York City area for the past 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His most recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

"Lazarus from the Tombstone" is an acrylic painting with oil stick, graphite and collage elements on canvas measuring 86" high by 98" wide. It references the story of Lazarus risen f...

"Tamara" is another favorite at the gallery. From the series of diminutive portraits the artist created in 2020, Tamara is an homage to the artist Tamara de Lempicka. While Bailey p...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...