J. R. Burgess Art

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “spring palace paintings,” these ink and watercolor illustrations imagined the sensual delights of courtly life. Taken from an album of erotic paintings, this framed leaf departs from a tradition of depicting lovers in risqué outdoor settings by picturing an amorous coupling in a distinctly Qing-dynasty interior. The uniquely detailed surroundings shed light on the prevailing aesthetic tastes in decor and furniture of 19th-century China. Note the carved wooden headrest, blue and white censer...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Young Woman Portrait by Enrico Crespi Signed Located Dated Italian Watercolor Beautiful and evocative watercolor technique painting by the great Milanese school artist Enrico Crespi...

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries Work is round but is shown in a square frame and some of the artworks edge is exposed Description: ...

French gouache fashion sketch of a casual day outfit, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Certificate of ...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

Darling gouache and pencil sketch of a feminine stage costume complete with matching bonnet for a Paris theater by Willie & Co., circa 1930. Original artwork on paper displayed on a...