Jacques Quinet Armchairs

A Rare and elegant pair of French Mid-Century Modern style lounge chairs, armchairs, club or slipper chairs in the manner of Jacques Adnet. The chairs are composed of a delicate gilt...

An unusual chair with organic shapes. A spring seat, very comfortable. After full carpentry and upholstery renovation. Padded with high-quality velour velvet (color 21). It was produ...

A beautiful, restored armchair designed by Henryk Lis. Furniture after full carpentry and upholstery renovation. The fabric, which is covered with a backrest and a seat, is a high-qu...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

Pair of armchairs with armrests covered in saddle stitched leather by Jacques Adnet, Compagnie des Arts Français. Pair of low armchairs with armrests covered in black saddle stitched...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

Labeled Dugard underneath the seats. With carved gadrooned pediment crest rails with center scrolled crests over burled upper backs. The curved arms with carved leafy backs and ribbe...

These very comfortable antique ladder back chairs with armrests were crafted in Spain, circa 1940. Built in walnut and cane , each armchair sits on...

Featuring a structure made of steel with protective cataphoresis treatment, finished in brown epoxy paint. Outdoor use.

A beautiful, restored armchairs designed by Henryk Lis. Furniture after full carpentry and upholstery renovation. The fabric, which is covered with a backrest and a seat, is a high-q...

With slightly arched back with central portrait medallion over a pierced splat, upholstered seat , carved arms, seat rail with carved portrait medallion, raised on square tapered flu...