James Bateman Paintings

An idyllic view of cattle and sheep grazing in a pasture before an oak tree with a blue sky with bollowing clouds beyond. William S Rose (1810-1873) Cattle and sheep grazing in rou...

Alfred Moginie Bryant British, (1855-1935) Sunshine Oil on canvas, signed & dated (18)90 Image size: 17.75 inches x 23.75 inches Size including frame: 26.5 inches x 32.5 inches A f...

Abraham Cooper RA British, (1787-1868) A Surrey Hunter Oil on canvas, signed with monogram & dated 1850, further inscribed bottom left Image size: 24 inches x 29 inches Size includi...

Alfred Duke British, (c1860-1905) Over the Hedge Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 20.75 inches x 27.75 inches An animated sporting...

Claude Cardon British, (1864-1937) Spring Lambs Oil on canvas, signed Image size: 9.5 inches x 13.5 inches Size including frame: 16.25 inches x 20.25 inches A charming painting of ...

Alfred Wheeler British, (1852-1932) Diamond Jubilee with Jockey Up Oil on canvas, signed, inscribed & dated 1900 Image size: 19.25 inches x 23.5 inches Size including frame: 30 inches x 34 inches Provenance: T Richardson & Co, Piccadilly, London A wonderful sporting horse portrait by Alfred Wheeler of the racehorse Diamond Jubilee with Jockey Up. A bay stallion is depicted standing side on in a landscape, most likely Newmarket Heath, with another racehorse and jockey in the distance. The horse’s head is slightly turned towards the viewer to reveal a white diamond shape mark on his forehead running into a line down his face. On his lower forelegs can be seen leg wraps which were used during training and exercise. Research has identified the jockey as being Herbert Jones...

George Wright British, (1860-1944) Fleabitten Grey Horse in a Stable Oil on canvas, signed, old label verso Image size: 15.5 inches x 21.25 inches Size including frame: 22.75 inche...

John Charles Maggs British, (1819-1896) Bristol, Bath & London Coach Outside The Crown Inn, Bath Oil on canvas, signed & dated 1882 Image size: 17.5 inches x 29.5 inches Size includ...

John Sanderson-Wells British, (1872-1955) Gone Away Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.75 inches x 29.75 inches An animated sporti...

Charles Jones British, (1836-1892) Highland Cattle & Sheep in Winter Oil on canvas, signed with monogram & dated (18)65, further inscribed verso Image size: 23.5 inches x 35.5 inches...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...