James Coleman Prints and Multiples

Pink Spring Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition G...

In this piece, I sought to capture the serene dance between sky and sea, interspersed with the graceful ballet of a sailboat. Infused with the essence of expressionism and the delica...

In this piece, I sought to capture the vibrancy and tranquility of nature, merging the wild with the serene. The crimson poppies dance in the breeze, a sea of passion and life, while...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

In this artwork, I've poured my soul into capturing the essence of a rustic Italian landscape, where the vibrant poppy fields dance under the sun's warm embrace. The path meanders, i...

In creating this giclée print, I embraced the tranquility of a winter landscape, where the stark serenity of snow-clad trees whispers of nature's quiet moments. A touch of warmth sur...

Simon Bull, British (Born 1958) Hand Embellished Giclee on Canvas "Whisper" (white flower) Hand signed Lower Left, Numbered 283/350 on Obverse side. Measures 16" x 16" image, frame measures 24-1/8" x 24-1/8" Simon Bull (born in March 1958) is an English-born artist living in America. Early years and education. Simon Bull was born in Bedfordshire, England. The second of four children. His father, Ian Bull served as an officer in the Royal Army Chaplains’ Department of the British Army. Ian’s extensive military postings stationed the family around the world in Guyana, Hong Kong, Germany, and Northern Ireland. Simon went to boarding school in Yorkshire, attending Ripon Cathedral Choir School from 1965 to 1969 and in Surrey, at the Royal Russell School from 1969 to 1976. In 1976 he took a one-year Foundation course at Gloucestershire College of Art and Design and went on to graduate in 1980 from Leeds Polytechnic with a BA (Hons) degree in Fine Art. He studied printmaking and Fine Art under Norman Webster and Norman Ackroyd RA. His time at Leeds was marked by his interest in and study of the masters, such as Henri Fantin-Latour, Jean-Baptiste-Simeon Chardin, and Rembrandt; he wrote his dissertation on watercolorist John Sell Cotman. In his graduating year he exhibited his etching Jackie at the Royal Academy Summer Exhibition and his works were acquired by Leeds City Art Gallery. His art is currently represented exclusively, by his own company Simon Bull Studios of Carmel CA and MEUSE gallery on Carmel’s Ocean Avenue. Simon Bull Studios contracts with and supplies a network of fine art galleries around the world including Cutter & Cutter Fine Art, Park West Gallery and others. He has been represented in the UK by, London Contemporary Art and DeMontfort Fine Art; as well as in the USA with Media Arts Group. His worldwide licensing agent is Art Brands Group. In 2007 he was invited to create a series of paintings that celebrated the life of Muhammad Ali. Many of these works are now on permanent display in the Muhammad Ali Center in Louisville, Kentucky. He has spoken on behalf of the Muhammad Ali Center at the Vancouver Film Festival for the premiere of the movie Facing Ali. In 2009 he was commissioned to paint US President Barack Obama by boxing legend Muhammad Ali. His two joint portraits of Barack Obama and Muhammad Ali were unveiled at the Kentucky Bluegrass...

In this piece, I've encapsulated the serene interplay of nature's symphony and the tranquil sights of the countryside. Notice how the storks atop the hay bales serve as conductors of...

Art Edition (No. 1–100), with the numbered and signed print The Caged Bird’s Song (Voyeur), 2024, by Chris Ofili. Art print, Giclée on 340gsm Hahnemühle Rag Metallic paper with deckl...

I poured my soul into this piece, capturing the warmth of the sun and the serene beauty of nature. My brushstrokes evoke a sense of peace and invite the viewer to step into a tranqui...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

In creating this piece, I aimed to capture the tranquil beauty of yachts at sunset, the hues reflecting the day's end. My strokes blend expressionism with impressionism's charm, evok...