James Earl Taylor Figurative Paintings

French Figures by Bernard Labbe (French mid 20th century) original gouache on card size: 19.5 x 13 inches condition: very good and ready to be enjoyed ...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Artist/ School: Norman A.Olley ( British, 20th Century) dated 1995 and inscribed verso Title - Haycart At The Ford Of The Old Packhorse Bridge Medium: gouache/watercolour/ ink/ pen...

'Fisherman' by Édouard Righetti (1924-2001) Signed Lower Front oil/gouache painting on artist paper, beautifully painted very good condition Painting: 15.75 x 25 inches provenance...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1992 and inscribed verso Title: Mallards dropping on a back wager of the Ember - East Molesy Surrey Medium: gouache/wa...

Artist/ School: Norman A.Olley ( British, 20th Century ) dated 1993 Title: Feeding the ducks on a Kentish Farm Pond Medium: gouache on artist paper, unframed Painting : 10 x 14 i...

Artist/ School: Norman A.Olley dated 1994 and inscribed verso Title: By The Thames At Hampton Middlesex Medium: gouache/watercolour/ pencil on artist paper, unframed Painting : ...

French Figure by Bernard Labbe (French mid 20th century) original gouache on paper, mounted on card size: 17 x 11.5 inches condition: very good and ready to be enjoyed provenance: t...

Artist/ School: Norman A.Olley and inscribed verso Title - Mannor Farm in Thames Ditton, Surrey Medium: gouache/watercolour/ ink/ pencil on thin board, unframed Painting : 8.25 x...

Artist/ School: Norman A.Olley ( British, 20th Century) and inscribed verso Title - Cornish WaterMill Medium: gouache/watercolour/ ink/ pencil on artist paper, unframed Painting ...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1992 and inscribed verso Title - September Pastures On Arentish Farm Medium: gouache/watercolour/ ink/ pencil on artis...

Artist/ School: Norman A.Olley and inscribed verso Title - Between Two Haystacks - Mannor Farm in Thames Ditton, Surrey Medium: gouache/watercolour/ ink/ pencil on thin board, unfr...