James Hawkins Paintings

This captivating 1960s abstract painting, titled "Desert Landscape," is a striking original work by acclaimed New Mexico and Colorado artist Ann Sink. The composition beautifully cap...

'The Melancholy and Euphoria of feeling small'- 34"x 46" abstract tantric painting by contemporary artist Elisa Niva Inspired by the landscapes, colors, and feeling evoked driving a...

'Bliss always on the Horizon'- 42"x 60" abstract tantric painting by contemporary artist Elisa Niva inspired by the landscapes, colors and feelings of the American West. This textu...

Painting "Fenêtre" Window reference to Matisse's work Year 2012 Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us know to calculate the shipping price...

This contemporary floral abstract depicts a tangle of flowers growing on the riverbank. Delicately colourful and full of a sense of light and fresh air, it's a subtle way to bring co...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...

A Ripe Landscape #2, A Ripe Landscape #5 and A Ripe Landscape #6 triptych by Jon Rowland Overall size cm : H59 x W79 A Ripe Landscape #2 . Spring in the south west of the UK. This...

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

"Harvest Moon" by Edmund E. Niemann is a striking example of Abstract Expressionism, a movement known for its emphasis on spontaneous, automatic, or subconscious creation. Niemann's ...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

In this painting by Noelle McAlinden, the square format brightly colored, abstract landscape painting is an interpretation of fields and homeland, harvest and source. The Northern Ir...

Meeting the Shade is part of the Shadow Series that investigates the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to noti...