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Artist: James Moore
Untitled III (purple), paint on paper, 20 x 16. Abstract purple flower
Untitled III (purple), paint on paper, 20 x 16. Abstract purple flower

Untitled III (purple), paint on paper, 20 x 16. Abstract purple flower

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Paint, Paper

Untitled II (II)

Untitled II (II)

By James Moore

Located in New York, NY

pastel on paper

Category

1970s Abstract Expressionist James Moore Paintings

Materials

Paper, Pastel

Untitled I (Green Orange), acrylic on canvas painting, bold abstract forms
Untitled I (Green Orange), acrylic on canvas painting, bold abstract forms

Untitled I (Green Orange), acrylic on canvas painting, bold abstract forms

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

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Stream #18
Stream #18

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Untitled
Untitled

Michael GoldbergUntitled, 1987

$65,000

H 52.75 in W 47.75 in

Untitled

By Michael Goldberg

Located in Austin, TX

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

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Elephant
Elephant

Wyona DiskinElephant, circa 1970

$5,837

H 60.01 in W 50.01 in D 1.19 in

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By Wyona Diskin

Located in Aramits, Nouvelle-Aquitaine

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Stream #19
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$2,600

H 44 in W 30 in

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Located in Los Angeles, CA

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Previously Available Items
Untitled III (I)

Untitled III (I)

By James Moore

Located in New York, NY

painted paper collage

Category

1970s Abstract Expressionist James Moore Paintings

Materials

Paper, Acrylic

Untitled II (VI)

Untitled II (VI)

By James Moore

Located in New York, NY

pastel on paper

Category

1970s Abstract Expressionist James Moore Paintings

Materials

Paper, Pastel

Seascape with Gulls - British Victorian art marine oil painting waves
Seascape with Gulls - British Victorian art marine oil painting waves

Seascape with Gulls - British Victorian art marine oil painting waves

By James Moore

Located in Hagley, England

This stunning British Victorian seascape oil painting is by noted artist James Moore. Painted circa 1879 it is a magnificent close up of huge waves breaking on the shore with gulls o...

Category

1870s Victorian James Moore Paintings

Materials

Oil

Untitled III (gold)
Untitled III (gold)

Untitled III (gold)

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

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1970s Abstract James Moore Paintings

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Untitled III (red), paint on paper, 20 x 16. Deep red and beige abstraction
Untitled III (red), paint on paper, 20 x 16. Deep red and beige abstraction

Untitled III (red), paint on paper, 20 x 16. Deep red and beige abstraction

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Paint, Paper

Untitled III (pink)
Untitled III (pink)

Untitled III (pink)

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Paint, Paper

Untitled I (Medium 3), acrylic on canvas, 50 x 36. Converging pastel shapes

Untitled I (Medium 3), acrylic on canvas, 50 x 36. Converging pastel shapes

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

Untitled I (Medium 2), abstract acrylic on canvas, blue and yellow forms
Untitled I (Medium 2), abstract acrylic on canvas, blue and yellow forms

Untitled I (Medium 2), abstract acrylic on canvas, blue and yellow forms

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

Untitled I (Medium 1), acrylic on canvas, 50 x 36 inches. Fluid composition

Untitled I (Medium 1), acrylic on canvas, 50 x 36 inches. Fluid composition

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

Untitled I (Blue Red), acrylic on canvas, 72 x 50 inches. Striking colors

Untitled I (Blue Red), acrylic on canvas, 72 x 50 inches. Striking colors

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

Untitled I (Blue Orange), abstract acrylic painting on canvas
Untitled I (Blue Orange), abstract acrylic painting on canvas

Untitled I (Blue Orange), abstract acrylic painting on canvas

By James Moore

Located in New York, NY

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Category

1970s Abstract James Moore Paintings

Materials

Canvas, Acrylic

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