Jane Chenoweth Paintings

Medieval Castle on a Cliff by the Sea on North Coast of Ireland by 20th Century Irish Artist, John Wright. An impressionistic impasto original oil painting of Dunce Castle, used in Game of Thrones. Art measures 24 x 18 inches Frame measures 34 x 28 inches This vibrant painting captures the dramatic beauty of a rugged coastal scene, dominated by an ancient castle perched atop a rocky cliff. The artist's dynamic brushwork and bold use of color bring the landscape to life, with the turquoise and blue hues of the sea contrasting against the warm, sunlit rocks and castle walls. The swirling water and textured rocks in the foreground add depth and movement, making the scene both captivating and lively. Encased in a classic gold-trimmed frame, this artwork is a striking piece that will add a touch of historical grandeur and natural beauty to any space. Dunluce Castle is a now-ruined medieval castle in Northern Ireland, the seat of Clan MacDonnell. It is located on the edge of a basalt outcropping in County Antrim and is accessible via a bridge connecting it to the mainland. The castle is surrounded by extremely steep drops on either side, which may have been an important factor to the early Christians and Vikings who were drawn to this place where an early Irish fort once stood. Dunluce is one of the most picturesque and romantic of Irish Castles. With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th Centuries. It was inhabited by both the feuding McQuillan and MacDonnell clans. Richard Óg de Burgh, 2nd Earl of Ulster, built the first castle at Dunluce, In the 13th century. The earliest features of the castle are two large drum towers about 9 metres (30 ft) in diameter on the eastern side, both relics of a stronghold built here by the McQuillans after they became lords of the "an Rúta" (territory) in the early 1500s. Later Dunluce Castle became the home of the chief of the Clan MacDonnell of Antrim and later John Mor MacDonald the 6th chief Clan Donald of Scotland. In 1584 with the passing off John Mor MacDonald, the Antrim Glens and Castle were seized by Sorley Boy MacDonnell, making it the seat again solely of the MacDonnell Clan. Sorley Boy took the castle, keeping it for himself and improving it in the Scottish style. Sorley Boy swore allegiance to the crown and his son Randal was made 1st Earl of Antrim by King James I. The Girona, a galleass (Ship) from the Spanish Armada, was wrecked in a storm on the rocks at Lacada Point on the night of 26 October 1588. Cannons from the ship were installed in the gatehouses and the rest of the cargo sold, funding restoration of the castle. Dunluce Castle served as the seat of the Earl of Antrim until the impoverishment of the MacDonnells in 1690, following the Battle of the Boyne...

Scottish Highland Seascape Shoreline Impasto Painting of An Teallach, Gruinard Bay, Wester Ross by Royal Society Artist, Sheila Macleod Robertson RSMA, SWA. Presented in a vintage wo...

Golden Brown Ireland Seascape Landscape at Dusk by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21 inc...

Rafael Duran Benet (1931-2015) - Garden - Oil on canvas on board Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, ne...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

Seating figures is a modern artwork realized by Antonio Mellone in 1957 Mixed colored oil painting on canvas Hand signed and dated on the lower margin. Includes frame

Albert Junyent Quinquer (1903-1976) - Catalan coast - Oil on canvas Oil measures 46x38 cm. Frame measures 59x51 cm. Son of Sebastián Junyent Sans and Paulina Quinquer, he was the eldest of four siblings (Albert, María, Montserrat and Adelina). He was a disciple of his uncle Oleguer Junyent. His father, a prominent painter, died very young when he was barely five years old. With a degree in letters and a diploma from the École du Louvre (Paris, FR), he was a student of Amédée Ozenfant. In Barcelona (1927) he collaborated in the decoration of the Universal Exhibition of 1929, in Montjuich. He was a correspondent in Paris (1930) for the publications “Mirador” and “El Instante”. During the civil war he rose to the rank of republican captain and once the conflict ended he went into exile in Venezuela, where he was a writer, painter and art critic. He was also part of the group of professors at the School of Plastic and Applied Arts in Caracas, and he also published two important monographs: one on Cristóbal Rojas...

'Cat' - Original oil painting on canvas 40 x 40 cm, 2024. 

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Mid-Century Modern abstracted landscape of autumn trees lining a red brick pathway by Charles Fuhrman (American, 1940-1995), c.1960s. Signed "Fuhrman" lower left. Unframed. Image, 36...

Angel Bertran Montserrat (1928-1994) - Marsh - Oil on canvas Oil measures 46x55 cm. Frameless. Precocious artist who from the early age of 15...