Jane Kent Prints and Multiples

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, D...

Wave III, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

Le Mousquetaire Bleu Artist: Pablo Picasso (after) Date: June 5, 1969 Medium: Lithograph on paper Edition: Numbered 139/375 (Unsigned) Condition: Excellent vintage condition, prof...

SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

This original vintage monotype print by Denver artist Wilma Fiori presents a powerful abstract composition rendered in brilliant shades of scarlet and red, evoking intensity, movemen...