Janet Rickus Art

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

Created using a bright, rich palette, Hidden Gardens further explores Hirst’s obsession with lush landscapes and playing with perspective. These densely-layered works bridge traditio...

Primavera II 49 x 50 cm Framed in a black wooden frame: 52 x 62 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warmenhuizen, in the North of...

Vintage Still Life Oil Painting - Orange Teapot on Purple Background Painterly still life piece by Loomis, California artist Betty Thomas (American, 20th Century.) An orange teapot ...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. The painting comes with a certificate of authenticity and a letter of appraisal. Marc Zimmerman creates playful p...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Still-life in Studio 85 x 100 cm (framed in a black wooden frame 95 x 110 cm) Oil on canvas Ksenya Istomina graduated in 2018 at the 'Imperial Academy of Arts in St Petersburg'. S...

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

Keimpe van der Kooi Winter 116 x 83 cm Framed: 126x 93 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint s...

Italian painter Andrea Gallotti’s practice is rooted in the quiet rigor of repetition, a deliberate return to a gesture so simple it borders on the childlike, yet so subtle that its ...