Jason Horvath Tables

A very uncommon tall stool by Nanna Ditzel for Domus Danica, circa 1969. These examples were made for a very short time and in very small numbers. This piece in a bright yello...

Console Art Deco Material: Wood. France. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal. Pushing th...

Console Art Deco Material: Wood. France. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal. Pushing th...

A handcrafted, sculptural side table having a patinated biomorphic bronze top floating atop an undulating wrought iron base.

Beautiful and elegant Art Deco French console made out of Macassar wood. Top displays wood grain and elevated by the 2 semi-circular legs that are connected in the middle. Supported ...

Mizmo is a 3 top, multi tiered coffee table featuring solid hardwood tops and metal base (shown in brass). This design works well on its own or...

A white matte laminate end table with nice lines, '70s Modern Postmodern design period, circa 1970s late-20th century. Great as an end table or othe...

Architectural postmodern/Art Deco American black walnut pillar end or side table. Design by Sum furniture and handcrafted in England using traditional techniques using the finest Ame...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

A charming rustic antique Spanish Baroque low table with beautifully aged dark rich patina. circa 1880 Versatile, today it would make for a great end table, chair side table, bedsid...

The Vassoio Coffee Table offers a balanced design with its round solid wood top supported by three cylindrical wooden legs. Its minimalist form creates a clean, neutral aesthetic tha...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...