Jean De Maisonseul Art

Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

"Found" by Colleen Leach – Framed Mixed Media Abstract (20 x 17 in) Small in scale but rich in expression, Found by Colleen Leach is a 10 x 7 inch mixed media work on paper that cap...

Contemporary Interior Perspective Abstract with Purple & Yellow Stunning interior with and abstracted sense of perspective by San Francisco artist Michael William Eggleston (Americ...

"Fascination II" - Abstract Oil On Paper Original abstract oil painting depicting hues of blue, green, red and orange titled "Fascination II." Titled "Fascination II" bottom center...

"Danger" - Original Modernist Oil Painting on Canvas Striking modernist painting by Bay Area artist Jean Hyson (American, 1928-2023). Hard edge oil on canvas depicting a black square to the left of the canvas with a lit up cinema projector. A mans face can be seen appearing in the light coming from the projector. An orange square is seen parallel to the projector, with a yellow circle inside. The number "13" can be seen in the lower right of the orange square. Purple and light blue take up the background. Signed "Hyson" lower right in black square. Titled, signed and dated "Jean Hyson" "Danger 1966" verso. Presented in a purple wooden frame. Frame: 20 1/2"H x 24 1/2"W Image: 19 3/4"H x 24"W Born in Texas, Jean Hyson (American, 1928-2023) is best known for her modernist, sharp edge, paintings. Hyson attended the Art Student League in New York with George Grosz, Yaso Kumiyoshi and William Baziotes and Beaux Artes, Paris, France from 1954-59. She was an Artist in Residence and Instructor at the California College of Arts and Crafts, Oakland from 1970-1974. Her work is held in the Oakland Art Museum, Oakland California, Santa Barbara Museum of Art, Santa Barbara, California and the California Container Corp. of America, Chicago, Illinois. Jean Hyson and her then-husband Jacques Fabert (who typically painted under the name “Jean Faber Himbert”) were an important force within the midcentury San Francisco art scene. Her work has been featured in countless Bay Area gallery and museum exhibitions—including SFMOMA, the de Young, and the Legion of Honor—and is in numerous public and private collections. In a fantastic in-depth interview with Hilda Pertha...

Bold color of arches and partial spheres results in a dynamic abstract impressionist painting by unknown artist Dinkel (American, 20th Century). Signed lower right "Dinkel". Unframed...

Variations on red, yellow and blue result in a dynamic Carnival abstract of geometric and curvilinear designs by San Francisco, California abstract expressionist George Niehaus (Amer...

"Mr. Brightside" by Colleen Leach – Framed Mixed Media Abstract (42 x 54 in) Vibrant, expressive, and full of personality, Mr. Brightside by Colleen Leach is a striking mixed media ...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

Vivid and evocative abstracted painting of 9/11 by artist Jocelyn Audette (American, b. 1952), circa 2001. Impasto adds texture and interest. Label on verso with artist's name. Pres...

Psychedelic Abstract in Yellow, Blue, and Orange - Oil on Paper Bright and colorful abstract by Jennie T. Rafton (American, b. 1925). Pattens and shapes spill across the paper, full of complexity and detail. The majority of the shapes are elongated, creating a sense of movement across the piece. Unsigned, but was acquired with a collection of the artist's work. Presented in a new white mat. Paper size: 20"H x 15"W Jennie T. Rafton (American, b. 1925) is a well-known California artist, primarily for her abstract compositions. She and her husband Michael were ardent supporters of the arts, especially the Oakland Symphony Guild. Exh: 1982 - Magnin Gallery (solo), Walnut Creek...