Jean-joseph Chapuis Furniture

The oval grey marble insert top above a single frieze drawer, with brass line and star inlay, raised on slender curved legs joined by an oval undertier, ending on slipper feet; stamp...

Antique dressing table - stamped Chapuis Brussels Mahogany Empire around 1810 Dimensions: H x W x D: 178 x 91 x 56 cm, height without mirror: 82 cm Description: Elaborately crafted early 19th century dressing table...

An elegant and attractive early 19th century Empire mahogany architects table by Jean-Joseph Chapuis (1765-1864). The double ratcheted hinged rectangular top lined with dark green oi...

Despite his long life, very little is known about the general production of menuisier (chairmaker) Jean-Joseph Chapuis and even less about his use of bent laminates, which must be viewed as the most advanced of its kind until the appearance of Michael Thonet’s work of the 1830s. The profound reverence for the classical world in enlightened circles in early nine-teenth-century Europe and the United States often resulted in the archaeological resurrection of the art, architecture, and design of ancient Greece and Rome. No chair employing the innovative technique of bending wood more boldly expresses this allegiance to the past than this armchair painted in le style antique and based on the ancient Roman sella curulis (folding stool); With a curved toprail decorated with putti supporting a medaillion and flanked by scrolling acanthus, the arms with ball finials, above a caned seat, on curved supports terminating in foliate gilt-metal sabots. This merger of technological innovation with fashionable aesthetics parallels the work of the American Samuel Gragg...

Demilune table by Jean-Joseph Chapuis on tapered legs with sickle-shaped brass inlays and a very beautiful mahogany veneer. The rear leg can be pulled out and is stamped "Chapuis". T...

Despite his long life, very little is known about the general production of menuisier (chairmaker) Jean-Joseph Chapuis (1765-1864) and even less about his use of bent laminates, which must be viewed as the most advanced of its kind until the appearance of Michael Thonet’s work of the 1830s. The profound reverence for the classical world in enlightened circles in early 19th century Europe and the United States often resulted in the archaeological resurrection of the art, architecture, and design of ancient Greece and Rome. No chair employing the innovative technique of bending wood more boldly expresses this allegiance to the past than this armchair painted in le style antique and based on the ancient Roman sella...