Jean Tinguely Art

Mixed media, 1970 Handsigned by the artist in pencil and numbered 36/190 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 41.00 cm. x 51.00 cm. 16.14 in. x 20.08 in. (image) Th...

Collage, gouache, pencil on paper, 1991 Handsigned by the artist in pencil 85.00 cm. x 61.00 cm. 33.46 in. x 24.02 in. (paper) LCD5311

Lithograph, 1981 Signed in the plate at the bottom right 45.00 cm. x 55.00 cm. 17.72 in. x 21.65 in. (paper) 25.00 cm. x 30.00 cm. 9.84 in. x 11.81 in. (image) LCD5078

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Jean Tinguely was a Swiss sculptor best known for his kinetic art sculptural machines that extended the Dada tradition into the later part of the 20th century. Tinguely's art satiriz...

Only in movement do we find the true essence of things. Today we can no longer believe in permanent laws, defined religions, durable architecture or eternal kingdoms. Immutability do...

Hand-signed drawing done by a machine designed by Jean Tinguely. At the top of the paper in german reads, "Original Drawing Executed in Collaboration with Meta-Matic." At the bottom ...

This is a poster mounted to board. Signed in the plate. Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss painter and sculptor. He is best known for his sculptural machines or kinetic art, in the Dada tradition; known officially as metamechanics. Tinguely's art satirized the mindless overproduction of material goods in advanced industrial society. Born in Fribourg, Tinguely grew up in Basel, studied at the Kunstgewerbeschule in Basle from 1941 to 1945, a period during which he discovered the art of Kurt Schwitters and Paul Klee as well as becoming an enthusiastic fan of the Bauhaus., but moved to France in 1952 with his first wife Swiss artist Eva Aeppli, to pursue a career in art. He began experimenting with mechanical machine-like sculptures in the late 1930s, hanging objects from the ceiling and using an electric motor to make them spin. He moved to Paris in 1951, where he participated in Robert Rauschenberg's international happenings After World War II he began painting in a Surrealist manner, but he soon abandoned painting to concentrate on sculpture. In 1960 Tinguely's friendship with Arman, César, Raymond Hains, Yves Klein and other artists, and the art critic Pierre Restany (b 1930), led to the founding of Nouveau Réalisme, which aimed at a reassessment of artistic form and material. He belonged to the Parisian Avant Garde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau réalisme) in 1960. affiche plakat poster. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City, although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas. The first exhibitions organised by Denise René were in June 1945. She studied geometric abstraction and kinetic art. René showed modern art masters such as Max Ernst and Francis Picabia during her first five years of activity. Denise René developed different generations of abstract art by introducing to Paris the historical figures of the concrete avant-gardes of Eastern Europe while seeking historical antecedents like Marcel Duchamp. In 1955 she organized the exhibition Le Mouvement, which helped to popularize kinetic art. Following that show she exhibited works by Nicolas Schöffer, Yacov Agam, Jean Tinguely, Otto Piene, Jean Arp, Alexander Calder, Carlos Cruz-Diez, Jesús Rafael Soto, Victor Vasarely, Marino Di Teana, Sophie Taeuber-Arp, Gregorio Vardanega...

serigraph in colors on pink background on lightly textured paper, of a type typically used for wallpapers. This is a section of vintage art wallpaper. In 1968 Tinguely was approached by Sandro Boccola, who together with partners Heinz Bütler, Rolf Fehlbaum and Erwin Meierhofer founded xartcollection in Zurich that year. In 1971, in collaboration with German company Marburger Tapetenfabrik, xartcollection launched xartwalls, a collection of ‘art’ wallpapers commissioned from 10 artists: Paul Wunderlich, Jean Tinguely, Peter Phillips, Niki de Saint Phalle, Allen Jones, Werner Berges...

serigraph in colors on pink background on lightly textured paper, of a type typically used for wallpapers. This is a section of vintage art wallpaper. In 1968 Tinguely was approached by Sandro Boccola, who together with partners Heinz Bütler, Rolf Fehlbaum and Erwin Meierhofer founded xartcollection in Zurich that year. In 1971, in collaboration with German company Marburger Tapetenfabrik, xartcollection launched xartwalls, a collection of ‘art’ wallpapers commissioned from 10 artists: Paul Wunderlich, Jean Tinguely, Peter Phillips, Niki de Saint Phalle, Allen Jones, Werner Berges...

Palakarkina, 1990 Lithograph; Paper sizes cm 99,5 x 70; E.A. special; Signed COA provided Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss painter and sculptor. He is best k...