Bringing lively newness to weathered and worn found materials, artist and furniture designer Jim Rose mined scrap heaps and junkyards for the metal he used in his furniture, collages and decorative objects. He kept his eyes open for the ideal scraps of aged steel that could be bent and shaped into a base, frame or surface of his next piece, hand-picking off-colored bits to serve as inlays and accents.
Rose was long associated with the American Studio Craft movement, and many of his one-of-a-kind works can typically be characterized as a venturesome fusion of folk art and modernist design. Each piece, crafted by hand and with fastidious care in his Wisconsin studio, is representative of his work ethic and boundless imagination.
Born in Indiana, Rose studied briefly at Bard College in New York City and earned his BFA in sculpture from the School of the Art Institute of Chicago in 1988. A couple of years earlier, he established his design studio, along with his wife Suzanne — an award-winning photographer — as his partner. During the 1990s, Rose and Suzanne traveled the American Northeast, where he became enamored with Shaker furniture.
When Rose returned home, he read every piece of literature he could about the history of the Shakers. The name derives from the popular moniker for an all-but-vanished American religious sect, whose members crafted honest, modest household furniture and objects as part of their belief in purposeful living and simplicity in all things. Rose incorporated Shaker methods into the production of his own designs. Rather than utilize the unpretentious hardwoods that the Shakers preferred, however, Rose worked with discarded materials, fashioning tables, case pieces and decorative objects from repurposed steel and other metals.
In the late 1990s, Rose began to include multi-colored metal into his works — adapting methods used by colonial quiltmakers. His furnishings began to take on a mosaic look, bringing a substantial amount of visual appeal and new charm to each of his distinctive creations. Rose also produced a body of work that drew on Ming dynasty designs.
With numerous showings at Sculpture Objects & Functional Art Fair in New York City and Chicago, Rose made a name for himself throughout the late 1990s and early 2000s. He had solo and group exhibitions throughout his career, including in Palm Beach, Florida, and Mesa, Arizona — as well as at many other galleries in New York and Chicago. Rose’s work is held in the collections of the Smithsonian American Art Museum, Mesa Contemporary Arts, Racine Art Museum and other institutions.
On 1stDibs, find a collection of vintage Jim Rose storage cabinets, tables, and decorative objects.
Jim Rose - Original Tall One Door "Fans" Quilt Cupboard, Monochromatic Pattern
By Jim Rose
Located in Chicago, IL
This One Door Fans Quilt Cupboard occupies a particularly refined place within Jim Rose’s legacy, demonstrating how his engagement with the Gee’s Bend quilt tradition extended beyond...
Steel
Cupboard, 4 Doors, 2 Drawer Shaker Style in Steel with Natural Rusted Patina
By Jim Rose
Located in Chicago, IL
This Four Door, Two Drawer Cupboard (1998) stands as an early and fully resolved statement of Jim Rose’s legacy, articulating the principles that would define his work for decades. T...
Steel
Shaker Tall Cabinet With Door and Drawers, Steel Cupboard by Jim Rose
By Jim Rose
Located in Chicago, IL
This tall cabinet exemplifies Jim Rose’s legacy at its most distilled and disciplined—an object where verticality, restraint, and material intelligence converge into a quietly commanding presence. The form recalls early American and Shaker cupboards, particularly storage pieces meant to stand apart and serve specific, practical purposes, yet Rose’s execution in steel transforms that lineage into something resolutely contemporary. The cabinet’s slender proportions and emphatic vertical lines highlight Rose’s sculptural training, giving the piece a bodily, almost architectural stance. The stepped cornice and subtly flared top introduce a sense of ceremony without ornament, while the paneled door and drawers below establish a rhythm of framed surfaces that echo traditional joinery, translated here into metal. As in much of Rose’s work, the steel is finished to suggest age and warmth, dissolving the boundary between industrial material and domestic familiarity. Functionally precise yet emotionally resonant, the piece reflects Rose’s belief that furniture should feel purpose-built and enduring. The single-door cabinet and drawers below offer a clear hierarchy of use, reinforcing his preference for clarity over excess. Nothing is superfluous; every decision supports balance, usability, and longevity. Within Rose’s broader body of work, this cabinet stands as a meditation on scale and solitude—a piece that does not dominate a room through size, but through presence. It underscores his enduring contribution to contemporary furniture: proving that steel, when handled with patience and respect for tradition, can carry the same sense of history, dignity, and quiet service as the finest wooden furniture. Jim Rose Legacy Collection Tall Cabinet, 2003 found steel with natural rust patina 80h x 23w x 16d in 203.20h x 58.42w x 40.64d cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
Armoire, Shaker Style in Steel with Natural Rusted Patina by Jim Rose
By Jim Rose
Located in Chicago, IL
This Armoire exemplifies Jim Rose’s legacy through its quiet authority, material integrity, and unwavering commitment to use. Rooted in the historical form of the single-door armoire...
Steel
Shaker Inspired Chest of Drawers, Steel Furniture Natural Rust Patina
By Jim Rose
Located in Chicago, IL
This Chest of Drawers distills Jim Rose’s legacy into one of its most elemental and enduring forms. Referencing the familiar typology of the tall American chest, the piece demonstrates Rose’s ability to take a deeply known domestic object and reimagine it through steel without diminishing its sense of warmth, gravity, or usefulness. The form is immediately legible, yet quietly transformed by material and surface. The vertical stack of drawers emphasizes order, repetition, and proportion—principles central to Rose’s practice and drawn from his engagement with Shaker furniture and early American casework. The subtle variations in the natural rust patina across each drawer front introduce a quilt-like rhythm, allowing the surface to register time, labor, and the material’s prior life. Rather than concealing steel’s industrial origins, Rose allows them to coexist with the intimacy of a bedroom or living space. Structurally and conceptually, the piece embodies Rose’s belief in furniture as a long-term companion. The chest is straightforward, durable, and deliberately unadorned, relying on balance and material integrity rather than stylistic gesture. Within his broader body of work, this chest stands as a quiet manifesto: an assertion that contemporary furniture can be honest, restrained, and deeply humane—objects meant not to impress at first glance, but to earn their place through use, time, and presence. Jim Rose Chest of Drawers repurposed steel with natural rust patina 78h x 35w x 18d in 198.12h x 88.90w x 45.72d cm JR0270 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...
Steel
Jim Rose Two-Door Strips Quilt Cupboard, Brightly Colored Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This Two-Door Strips Quilt Cupboard stands as a concise and confident expression of Jim Rose’s legacy, encapsulating his commitment to reuse, historical dialogue, and disciplined making. The cabinet’s surface draws directly from the strip-quilt tradition of Gee’s Bend, whose layered bands, irregular rhythms, and intuitive compositions offered Rose a powerful model for organizing difference within order. As in those quilts, the surface here reads as both structured and improvisational—anchored by repetition, yet animated by variation. Crucially, the color in this work is entirely inherited rather than applied. All of the colored panels are fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian sources, and the hues remain exactly as discovered. Rose did not paint or alter these surfaces; instead, he selected and composed them, allowing scratches, wear, and traces of former use to remain visible. This approach aligns his practice materially and ethically with the Gee’s Bend tradition, where resourcefulness and reuse are fundamental acts of making. The dark steel framework and cylindrical corner posts provide a stabilizing architectural armature, holding the vibrant strips in quiet tension and grounding the piece firmly in furniture rather than image alone. The familiar two-door cupboard form reinforces Rose’s belief that even the most visually complex surfaces must ultimately serve domestic function and daily life. Within Rose’s broader body of work, this cupboard exemplifies his enduring contribution to contemporary furniture: demonstrating how objects can carry cultural memory through material itself, how restraint can coexist with richness, and how thoughtful reuse can transform industrial remnants into furniture of warmth, dignity, and lasting presence. Jim Rose Two-door strips quilt cupboard Hot roll and found painted steel 36 H x 35 W x 18 D in 91.44 H x 88.90 W x 45.72 D cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy...
Steel
Jim Rose - Repurposed Steel Bookcase in Natural Rusted Patina, Art Furniture
By Jim Rose
Located in Chicago, IL
This Book Case stands as a distilled expression of Jim Rose’s legacy, revealing his commitment to clarity, restraint, and the moral weight of utility. The open, rectilinear form reca...
Steel
Jim Rose Two-Door Housetop Weave Multi-Color Steel Quilt Pattern Cupboard
By Jim Rose
Located in Chicago, IL
This Two Door Strip Quilt Cupboard (2022) stands as a late and deeply resolved expression of Jim Rose’s legacy, bringing together his lifelong commitments to material honesty, historical continuity, and disciplined composition. The cabinet’s surface draws directly from the strip quilt tradition of Gee’s Bend, whose improvisational bands, shifting rhythms, and intuitive balance offered Rose a powerful model for structuring variation within order. As with all of Rose’s quilt cabinets, the color here is not applied but inherited. Every panel is made from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian infrastructure, and all colors remain exactly as discovered. Rose did not paint these surfaces; instead, he selected, cut, and arranged them, allowing each fragment’s prior life—scratches, holes, typography, and wear—to remain legible. This method aligns Rose’s practice ethically and materially with the Gee’s Bend tradition, where reuse and transformation are acts of respect rather than aesthetic affectation. The cabinet’s dark steel framework acts as a stabilizing armature, its rectilinear grid holding the animated color fields in quiet tension. The familiar two-door cupboard form grounds the work in domestic function, ensuring that visual complexity never eclipses use. Verticality and symmetry lend the piece a calm authority, while subtle asymmetries within the panels keep the surface alive and responsive. Created near the end of Rose’s career, this cupboard reads as both culmination and affirmation. It encapsulates his enduring contribution to contemporary furniture: demonstrating that objects can carry cultural memory through material itself, that restraint can coexist with richness, and that furniture—made with patience, respect, and clarity—can function simultaneously as utility, composition, and quiet witness to lived histories. Jim Rose Two Door Strip Quilt Cupboard, 2022 hot roll and found painted steel 48h x 39w x 18.50d in 121.92h x 99.06w x 46.99d cm JR0241 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
Jim Rose, Two Door Strip Quilt Cabinet, Functional Art Steel Furniture
By Jim Rose
Located in Chicago, IL
This Two Door Strip Quilt Cabinet stands as one of the clearest expressions of Jim Rose’s legacy, uniting his commitments to material honesty, historical...
Steel
Jim Rose Two-Door Chinese Coins Quilt Cupboard, Functional Art Steel Furniture
By Jim Rose
Located in Chicago, IL
This Two Door Chinese Coin Quilt Cupboard represents a mature synthesis of Jim Rose’s legacy, where material ethics, cultural reference, and formal discipline converge with exceptional clarity. The cabinet’s surface draws directly from the visual language of Gee’s Bend quilts, particularly those incorporating circular or coin-like motifs, whose rhythmic repetition and improvisational structure resonate strongly with Rose’s own compositional instincts. As with his other quilt cabinets, the color and pattern here are not authored through paint but assembled through selection. Every colored panel is fabricated from found, pre-painted steel salvaged from signage, industrial machinery, and utilitarian structures, and all hues remain in their original state. Rose did not alter these surfaces; instead, he composed them with the care of a quilter, honoring their prior function and embedded histories. This approach situates the work within a lineage of resourcefulness and reuse, aligning Rose’s practice ethically as well as visually with the Gee’s Bend tradition. The dark steel framework provides a stabilizing armature, its rectilinear grid holding the animated interior panels in balance. The cabinet form itself—familiar, grounded, and domestic—anchors the visual complexity, ensuring that the piece remains furniture first, not image alone. The “coin” references introduce a subtle circular counterpoint to the otherwise linear composition, deepening the sense of rhythm and movement across the doors. Within Jim Rose’s broader body of work, this cupboard stands as a powerful statement of continuity: between craft traditions, between past and present, and between material life cycles. It exemplifies his enduring contribution to contemporary furniture—demonstrating how objects can carry cultural memory not through imitation, but through thoughtful reuse, disciplined composition, and profound respect for the origins of both material and form. Jim Rose Two Door Chinese Coin Quilt Cupboard hot roll and found painted steel 38.25h x 53.88w x 21d in 97.16h x 136.84w x 53.34d cm JR0249 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...
Steel
A 19th Century Swedish Painted Armoire - Cupboard
Located in Basingstoke, Hampshire
An extraordinary early 19th century Swedish cupboard. Demonstrating a particularly striking and unusually exaggerated arched pediment sha...
Pine
$11,416
H 77.96 in W 102.37 in D 23.63 in
1930s Venetian Baroque Wardrobe, by Testolini Freres in Walnut decored and Briar
Located in Vigonza, Padua
Precious 1930s Venetian Baroque cupboard wardrobe, by Testolini Freres Venice, in hand-carved walnut yellow decored and burl walnut, with central mirror . Interior upholstered in ora...
Velvet, Mirror, Burl, Walnut
19thC French Faux Bamboo Walnut Mirrored Armoire
Located in Staffordshire, GB
circa 1870 19thC French Faux Bamboo Walnut Mirrored Armoire We can also customise existing pieces to suit your scheme/requirements. We have our own workshop, restorers and finisher...
Walnut
Pair of English Oak Diminutive Two Door Corner Cupboards
Located in Milford, NH
A diminutive pair of oak two door corner cupboards in their original dark finish, with molded cornice on each surmounting an upper door with six glass panels and brass escutcheon, op...
Brass
$4,800
H 33 in W 24 in D 12 in
Louis XVI Style Cabinet or Small Cupboard with Marble Top, Bronze Gallery
Located in Montreal, Quebec
Louis XVI Style versatile cabinet or small cubboard with marble top and bronze gallery. Rectangular white marble top with rounded corners surrounded by a bronze pierced gallery. The ...
Marble, Bronze
$1,201Sale Price|77% Off
H 74.02 in W 95.67 in D 31.5 in
18th Italian Painted Wardrobe in Solid Alder with Two Doors
Located in Buggiano, IT
18th Italian wardrobe in solid alder with two doors, internal color in original patina. The exterior is hand painted with period decorations. This is...
Walnut
19th Century French Scrubbed Pine Cupboard
Located in London, GB
A beautifully patinated 19th century scrubbed pine cupboard from the alpine Haute-Savoie region. Pegged and nailed in construction, with decorative forged iron hinges and original lo...
Iron
19th Century Swedish Gustavian Armoire Cupboard Cabinet
Located in San Angelo, TX
A beautiful Swedish Gustavian cabinet that has been painted and dry scrapped over its lifetime. It dissembles into two parts. This beautiful piece shows the original paint job with p...
Pine, Paint
$5,750
H 70.08 in W 43.12 in D 14.77 in
20th Century Armoire, Kitchen Cabinet with Two Doors, Carved Walnut, Spain
Located in Miami, FL
Armoire, cupboard or kitchen cabinet with two doors decorated to the outside with geometric patterns framed by moldings. The legs that protrude below and the cresting and lower moldi...
Iron
Early 19th Century Shepherds Cupboard
Located in London, Charterhouse Square
Early 19th century shepherds cupboard with dovetail joint details.
Wood
$2,650
H 49 in W 46.38 in D 19 in
Antique Original Paint Rustic 2-Door Cupboard from Ireland Fabulous Patina
Located in BENSENVILLE, IL
Wonderful “Shabby Chic” rustic antique 2-door small cupboard, still wearing its Original Painted Finish from the 1800s. The Small Painted Cupboard...
Iron
Late 18th Century Georgian Oak Cabinet / Cupboard
Located in Casteren, Noord-Brabant
Late 18th century oak cupboard, The top part has two doors with fielded panels. The lower part has four drawers with brass handles. The cabin...
Brass
Jim Rose - Display Console, Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional six shelved bookcase made from repurposed steel, painted and hot rolled. Modeled after Shaker furniture, this modern industrial statement piece is a mod...
Steel
Sold
H 41 in W 45.5 in D 24.5 in
Shaker Two Drawer/Two Door Steel Pie Safe w/Drilled Holes, Natural Rust Patina
By Jim Rose
Located in Chicago, IL
Introduced in the early 1700's, the pie safe was an essential item in American kitchens before the introduction of refrigeration. The punched holes kept perishable goods safe from pests and were highly used up until the introduction of refrigeration in the mid 1880s. This modern take on an old tradition uses naturally rusted steel to bring a warmth to this beautifully constructed pie safe. The punched holes form an intricate floral pattern on three sides. One fixed shelf inside makes this a highly utilitarian yet stunningly beautiful addition to any room. Jim Rose Two Door - Two Drawer Punch Out Cupboard with Sill Edge, 2004 repurposed steel with natural rust patina 41h x 45.50w x 24.50d in 104.14h x 115.57w x 62.23d cm JR0268 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery Group Exhibitions: 2023 Jim Rose CODA, Gallery Victor, Chicago, IL Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2018 Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor Armendariz, Metropolitan Pavilion, NY, NY 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...
Steel
Pair of Jim Rose Ming Steel Chests
By Jim Rose
Located in Chicago, IL
Created exclusively for PAGODA RED, the Ming Steel Collection by artist Jim Rose forges a connection between Shaker minimalism and the simplified lines of Ming-dynasty furniture. The culmination of years of studying the vernacular history of furniture...
Steel
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H 38 in W 53 in D 15.75 in
Jim Rose Two-Door Chinese Coins Quilt Cupboard, Functional Art Steel Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional two door cupboard. It is created from natural rusted steel and found steel. The panels on the door fronts and sides are made from salvaged pieces of stee...
Steel
Jim Rose Steel Furniture, Six-Drawer Strip Quilt Counter with Shelf
By Jim Rose
Located in Chicago, IL
This modern six-drawer counter is made from hot roll blue steel with the front panel design based on the gees bend quilts. Each panel is unique with the use of galvanized rusted stee...
Steel
Shaker Eleven Drawer Steel Apothecary Cabinet by Jim Rose
By Jim Rose
Located in Chicago, IL
This eleven drawer cabinet is inspired by Shaker furniture. Fully functioning with three rows of drawers of varying sizes and handmade hardware, this steel cabinet is by renowned furniture maker Jim Rose. With its timeless simplicity, this Shaker piece can stand on its own or help to complement a more eclectic design setting. As well as being utilitarian with all of its storage possibilities, it is a truly stunning piece of art. Jim Rose Legacy Collection Eleven drawer cabinet found steel with natural rust patina Measures: 14 H x 20 W x 8 D in 35.56 H x 50.80 W x 20.32 D cm JR0265 Jim Rose (1966-2023) Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate, Photography, Bard College, Annandale-on-Hudson, New York Selected Exhibitions 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor Armendariz, Metropolitan Pavilion, New York, NY 2017 SOFA Chicago 2017, Gallery Victor Armendariz, Chicago, IL Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma New Work, Tory Folliard Gallery, Milwaukee, WI 2016 SOFA Chicago 2016, Ann Nathan Gallery, Chicago, IL Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 SOFA Chicago 2015, Ann Nathan Gallery, Chicago, IL NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI ICFF, Furniture Society, Javits Convention Center, New York City, NY 2014 SOFA Chicago 2014, Ann Nathan Gallery, Chicago, IL 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ SOFA Chicago 2013, Ann Nathan Gallery, Chicago, IL Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 SOFA Chicago 2012, Ann Nathan Gallery, Chicago, IL Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI SOFA Chicago 2011, Ann Nathan Gallery, Chicago, IL 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY SOFA Chicago 2010, Ann Nathan Gallery, Chicago, IL 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI SOFA Chicago 2009, Ann Nathan Gallery, Chicago, IL High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY SOFA Chicago 2008, Ann Nathan Gallery, Chicago, IL 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY SOFA Chicago 2007, Ann Nathan Gallery, Chicago, IL Variation, Ann Nathan Gallery, Chicago, IL Transformation 5: Contemporary Works in Found Materials, Houston Ctr for Contemporary Craft, Houston, TX 2006 SOFA Chicago 2006, Ann Nathan Gallery, Chicago, IL Show us Your Drawers, Herron School of Art, Indianapolis, IN Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 SOFA Chicago 2005, Ann Nathan Gallery, Chicago, IL Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 SOFA Chicago 2004, Ann Nathan Gallery, Chicago, IL Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian Am Art Museum, Washington, D.C. American Collections, Milwaukee Art Museum, Milwaukee, WI More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 SOFA...
Steel
Jim Rose Steel Furniture - Eight-Drawer Blue Green Strip Quilt Counter
By Jim Rose
Located in Chicago, IL
This modern 8-drawer counter is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey, blue and green tones enhance the Industrial aesthetic of the piece. All eight drawers have handmade hardware and are on drawer stops. This piece is available as pictured. Jim Rose Eight-drawer strip quilt counter hot roll and found painted steel Measures: 36 H x 69 W x 16 D in 91.44 H x 175.26 W x 40.64 D cm JR0145 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skilful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is included in numerous museum collections. His work is sought after by collectors throughout the world. Jim Rose b. 1966, Wisconsin Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
Sold
H 36 in W 78 in D 18 in
Jim Rose Steel Furniture - Steel Console Table with Shelf, Monochromatic Design
By Jim Rose
Located in Chicago, IL
This modern console table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Its rich grey-blue tones enhance the Industrial aesthetic of the...
Steel
Sold
H 38 in W 38 in D 14 in
Jim Rose Five-Drawer Strip Quilt Table, Steel Furniture, Found Multicolor Panels
By Jim Rose
Located in Chicago, IL
This modern 5-drawer table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey, blue and green tones enhance the Industrial aesthetic of the piece. All five drawers have handmade hardware and are on drawer stops. Jim Rose Five-drawer galvanized strip quilt table...
Steel
Sold
H 42.5 in W 36 in D 18.5 in
Jim Rose Two-Door Basket Weave Multicolor Steel Quilt Pattern Cupboard
By Jim Rose
Located in Chicago, IL
This is a totally functional two-door cupboard. It is created from hot rolled steel and found steel. The legs are made from salvaged pipe. The panels on the door fronts and sides are...
Steel
Five-Drawer Galvanized Strip Quilt Table, Functional Steel Furniture
By Jim Rose
Located in Chicago, IL
This modern 5-drawer table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey and rust tones enhance the Industrial aesthetic of the piece. All five drawers have handmade hardware and are on drawer stops. Jim Rose Five-drawer galvanized strip quilt table...
Steel
Sold
H 58 in W 38.5 in D 18.25 in
Jim Rose Starburst Pattern Cupboard with Chest of Drawers, Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional cupboard is topped with a chest of drawers. It is created from hot rolled steel and found steel. The legs are made from salvaged pipe. The starburst panels are inspired by the Quilts of Gee's Bend Alabama. The blue-gray steel adds to the industrial aesthetic of this functional furniture piece. The two fixed shelves inside the cabinet allow for abundance storage. This piece is available as pictured. Jim Rose Starburst Cupboard and Chest of Drawers hot roll and found natural rust patina steel 58 H x 38.50 W x 18.25 D in 147.32 H x 97.79 W x 46.35 D cm JR0124 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel