Bringing lively newness to weathered and worn found materials, artist and furniture designer Jim Rose mined scrap heaps and junkyards for the metal he used in his furniture, collages and decorative objects. He kept his eyes open for the ideal scraps of aged steel that could be bent and shaped into a base, frame or surface of his next piece, hand-picking off-colored bits to serve as inlays and accents.
Rose was long associated with the American Studio Craft movement, and many of his one-of-a-kind works can typically be characterized as a venturesome fusion of folk art and modernist design. Each piece, crafted by hand and with fastidious care in his Wisconsin studio, is representative of his work ethic and boundless imagination.
Born in Indiana, Rose studied briefly at Bard College in New York City and earned his BFA in sculpture from the School of the Art Institute of Chicago in 1988. A couple of years earlier, he established his design studio, along with his wife Suzanne — an award-winning photographer — as his partner. During the 1990s, Rose and Suzanne traveled the American Northeast, where he became enamored with Shaker furniture.
When Rose returned home, he read every piece of literature he could about the history of the Shakers. The name derives from the popular moniker for an all-but-vanished American religious sect, whose members crafted honest, modest household furniture and objects as part of their belief in purposeful living and simplicity in all things. Rose incorporated Shaker methods into the production of his own designs. Rather than utilize the unpretentious hardwoods that the Shakers preferred, however, Rose worked with discarded materials, fashioning tables, case pieces and decorative objects from repurposed steel and other metals.
In the late 1990s, Rose began to include multi-colored metal into his works — adapting methods used by colonial quiltmakers. His furnishings began to take on a mosaic look, bringing a substantial amount of visual appeal and new charm to each of his distinctive creations. Rose also produced a body of work that drew on Ming dynasty designs.
With numerous showings at Sculpture Objects & Functional Art Fair in New York City and Chicago, Rose made a name for himself throughout the late 1990s and early 2000s. He had solo and group exhibitions throughout his career, including in Palm Beach, Florida, and Mesa, Arizona — as well as at many other galleries in New York and Chicago. Rose’s work is held in the collections of the Smithsonian American Art Museum, Mesa Contemporary Arts, Racine Art Museum and other institutions.
On 1stDibs, find a collection of vintage Jim Rose storage cabinets, tables, and decorative objects.
Jim Rose - Original Tall One Door "Fans" Quilt Cupboard, Monochromatic Pattern
By Jim Rose
Located in Chicago, IL
This One Door Fans Quilt Cupboard occupies a particularly refined place within Jim Rose’s legacy, demonstrating how his engagement with the Gee’s Bend quilt tradition extended beyond...
Steel
Shaker Inspired Chest of Drawers, Steel Furniture Natural Rust Patina
By Jim Rose
Located in Chicago, IL
This Chest of Drawers distills Jim Rose’s legacy into one of its most elemental and enduring forms. Referencing the familiar typology of the tall American chest, the piece demonstrates Rose’s ability to take a deeply known domestic object and reimagine it through steel without diminishing its sense of warmth, gravity, or usefulness. The form is immediately legible, yet quietly transformed by material and surface. The vertical stack of drawers emphasizes order, repetition, and proportion—principles central to Rose’s practice and drawn from his engagement with Shaker furniture and early American casework. The subtle variations in the natural rust patina across each drawer front introduce a quilt-like rhythm, allowing the surface to register time, labor, and the material’s prior life. Rather than concealing steel’s industrial origins, Rose allows them to coexist with the intimacy of a bedroom or living space. Structurally and conceptually, the piece embodies Rose’s belief in furniture as a long-term companion. The chest is straightforward, durable, and deliberately unadorned, relying on balance and material integrity rather than stylistic gesture. Within his broader body of work, this chest stands as a quiet manifesto: an assertion that contemporary furniture can be honest, restrained, and deeply humane—objects meant not to impress at first glance, but to earn their place through use, time, and presence. Jim Rose Chest of Drawers repurposed steel with natural rust patina 78h x 35w x 18d in 198.12h x 88.90w x 45.72d cm JR0270 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...
Steel
Armoire, Shaker Style in Steel with Natural Rusted Patina by Jim Rose
By Jim Rose
Located in Chicago, IL
This Armoire exemplifies Jim Rose’s legacy through its quiet authority, material integrity, and unwavering commitment to use. Rooted in the historical form of the single-door armoire...
Steel
Shaker Tall Cabinet With Door and Drawers, Steel Cupboard by Jim Rose
By Jim Rose
Located in Chicago, IL
This tall cabinet exemplifies Jim Rose’s legacy at its most distilled and disciplined—an object where verticality, restraint, and material intelligence converge into a quietly commanding presence. The form recalls early American and Shaker cupboards, particularly storage pieces meant to stand apart and serve specific, practical purposes, yet Rose’s execution in steel transforms that lineage into something resolutely contemporary. The cabinet’s slender proportions and emphatic vertical lines highlight Rose’s sculptural training, giving the piece a bodily, almost architectural stance. The stepped cornice and subtly flared top introduce a sense of ceremony without ornament, while the paneled door and drawers below establish a rhythm of framed surfaces that echo traditional joinery, translated here into metal. As in much of Rose’s work, the steel is finished to suggest age and warmth, dissolving the boundary between industrial material and domestic familiarity. Functionally precise yet emotionally resonant, the piece reflects Rose’s belief that furniture should feel purpose-built and enduring. The single-door cabinet and drawers below offer a clear hierarchy of use, reinforcing his preference for clarity over excess. Nothing is superfluous; every decision supports balance, usability, and longevity. Within Rose’s broader body of work, this cabinet stands as a meditation on scale and solitude—a piece that does not dominate a room through size, but through presence. It underscores his enduring contribution to contemporary furniture: proving that steel, when handled with patience and respect for tradition, can carry the same sense of history, dignity, and quiet service as the finest wooden furniture. Jim Rose Legacy Collection Tall Cabinet, 2003 found steel with natural rust patina 80h x 23w x 16d in 203.20h x 58.42w x 40.64d cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
$10,166
H 77.96 in W 102.37 in D 23.63 in
1930s Venetian Baroque Wardrobe, by Testolini Freres in Walnut decored and Briar
Located in Vigonza, Padua
Precious 1930s Venetian Baroque cupboard wardrobe, by Testolini Freres Venice, in hand-carved walnut yellow decored and burl walnut, with central mirror . Interior upholstered in ora...
Velvet, Mirror, Burl, Walnut
19thC French Faux Bamboo Walnut Mirrored Armoire
Located in Staffordshire, GB
circa 1870 19thC French Faux Bamboo Walnut Mirrored Armoire We can also customise existing pieces to suit your scheme/requirements. We have our own workshop, restorers and finisher...
Walnut
A 19th Century Swedish Painted Armoire - Cupboard
Located in Basingstoke, Hampshire
An extraordinary early 19th century Swedish cupboard. Demonstrating a particularly striking and unusually exaggerated arched pediment sha...
Pine
Country French Provincial Style Cherry Cupboard, Single Door
Located in Toronto, CA
A French Country style cherry jam cupboard. This piece has a lot of storage without a big footprint in the room, but adds a bit of tradition. There is a single drawer above the door ...
Cherry
Pair of English Oak Diminutive Two Door Corner Cupboards
Located in Milford, NH
A diminutive pair of oak two door corner cupboards in their original dark finish, with molded cornice on each surmounting an upper door with six glass panels and brass escutcheon, op...
Brass
Early 19th Century Shepherds Cupboard
Located in London, Charterhouse Square
Early 19th century shepherds cupboard with dovetail joint details.
Wood
Large Italian Chest of Drawers
Located in Westwood, NJ
An Italian neoclassic style mahogany dresser, the rectangular cross-banded top above three short frieze drawers and six further long graduated drawers, on splayed legs. Dimension...
Wood
$1,795
H 31 in W 29.5 in D 16 in
Baker Furniture French Provincial Louis XV Oak and Burl Wood Chest of Drawers
By Baker Furniture Company
Located in South Bend, IN
An exceptional French Provincial Louis XV style chest of drawers or commode By Baker Furniture USA, circa 1980s Carved oak, with burl wood top and original brass hardware. ...
Brass
Black Japanned Chest of Drawers
Located in West Palm Beach, FL
English Japanned chest of drawers with three small drawers over three long drawers. The legs are of a cabriole style with pad feet. The term "Japanned"...
Wood, Lacquer
English Mahogany Chest of Drawers
Located in Woodbury, CT
English, mahogany five-drawer chest with rosewood crossbanded top. Beaded drawers have inset olivewood stringing and oval brass hardware featuring the Prince of Wales triple plume an...
Mahogany
$343,630
H 100.6 in W 66.93 in D 24.81 in
Rare Moses Michelangelo Guggenheim & Pauly Cie Et Venice Antique Carved Armoire
By Guggenheim Museum, Pauly et Cie
Located in West Sussex, Pulborough
We are delighted to offer for sale this very rare one of a kind Pauly CIE Et stamped hand carved walnut armoire made by the genius that was Moses Michelangelo Guggenheim 1837-1910 Where to begin, this cabinet is stamped to the rear “Fabrique De Meubles Pauly & Cie Venise. Pauly & Cie” who were a world famous glass foundry and later equally famous furniture manufacturer. Their grotto furniture has an immense following across the world. This piece was most likely retailed through them as it was made by Moses Michelangelo Guggenheim who is a fellow venetian There is one other known example of his works which is very similar, it is currently retailing for no less than £900,000 however it is accompanied by a few other pieces from a drawing room suite. The suite came from Palazzo Papadopoli, a Renaissance palace on the Grand Canal in Venice built for the Coccini family by Giovanni de Grigi around 1560. I will include some further history below on both Pauly CIE ET and Moses Michelangelo Guggenheium On to the armoire, it is clearly the most ornate tour de force of carving you will ever see, I’m thankful it has managed to survive so long without being broken up by salvagers looking to reclaim the sculptures. You can see in the carving elements of Pauly’s inspiration in the form of shells. You also have Putti’s riding dolphins and so on. We have fully treated it as there were various signs of old worm, it’s then been cleaned waxed and polished. One of the hidden hinges has been replaced, otherwise it is in near perfect condition for the age. The insides houses three wood shelves Dimensions Height 255.5cm top to bottom, without the removable top carving 211cm Width 170cm arm to arm of the chaps on the outside, 172cm at the top, 166cm at the bottom Depth 63cm top, 55cm middle, 59cm bottom Please note all measurements are taken at the widest point Moses Michelangelo Guggenheim Leading expert of decorative arts in late 19th century Venice, Michelangelo Guggenheim (1831-1910) also was one of the greatest antiquarians and a modern furniture producer in the “City of Water”. His collections stored in the Balbi Palace on the Grand Canal were an outstanding sight, that art amateurs would recommend. At the age of 20, he founds a "Stabilimento d’arti decorative e industriali" which purpose is the industrial creation of objects bearing an artistic force. The furniture that made him worldwide famous re-imagines ancient styles, freeing their aesthetic powers to serve modern imagination. Often in walnut, his pieces of furniture sent to World Fairs impress people by the finesse of their sculptures. A prized designer as well, he reorganizes princely interiors in the same spirit. His most famous work is the Palazzo Papadopoli's design about 1874, where he unfolds the vocabulary of several periods. He conceives there a richly furnished Neo-Renaissance Cabinet that relived the Italian golden age. For the exceptional result he is awarded the Gold Medal of merit for science and arts by Ludwig II of Bavaria. Pauly & Cie Venise Since its foundation (1866), Pauly & C. has stood for elegance, creativity and Venetian luxury. The ancient Roman technique known as “murrine”, which today is the symbol of Murano glass, was reproduced for the first time in its workshops and was presented to the world at the Universal Exhibition in Paris in 1878. In 150 years of business Pauly & C. has produced unique works for royal palaces, public buildings, private villas and has served an international client base that includes some of the most prominent names from the world of culture and art, figures from the world of industry and finance, politicians and nobility. Pauly & C. - C.V.M. (compagnia Venezia Murano) works are currently held in many private collections and exhibited in some of the most prestigious museums in the world. In the last years of activity, Pauly has been active with three distinct brands: • Pauly & C. CVM, the time-honoured company that produces classic objects, recreating old designs and collections and offering modern reinterpretations of them. • Pauly Glass Factory, which continues its association with artists and designers to produce artistic works with modern lines. • MVM Interior operates throughout the world with architects, interior designers and design studios for the creation of prestigious personalized projects History Compagnia di Venezia e Murano C.V.M. began as Salviati &C. in London in 1866 under the direction of Vicenza attorney Antonio Salviati and with the backing of two British men: archaeologist Austen Henry Layard and antiquarian Sir William Drake. The company was dedicated to using ancient techniques and utilized master glassblowers in its efforts to do so. It called in specialists from other fields like goldsmithing and engraving to ensure authenticity and employed artist Giuseppe Devers to teach the techniques of enamelling and heat-applied glass gilding to company artisans. Archaeologist Layard was particularly interested in the mosaic glass techniques of Roman and pre-Roman artists, and he spent years personally overseeing the work of the company's technicians and glassblowers in attempting to revive those techniques. In 1872, the company was successful, managing to replicate the type of glass commonly known as "murrina". The company was renamed Venice and Murano Glass and Mosaic Company Limited in 1872, and, in 1877, Layard purchased Salviati's interest so that Salviati could pursue other interests. The company quickly earned a reputation for quality original glass art and reproductions as well as its many mural mosaics in Great Britain and elsewhere in Europe. In 1878, the murrine produced by Compagnia di Venezia e Murano was included in its exhibit at the International Exhibition in Paris, which was the chief attraction in Italian glass. In its observations of the display, the United States Commission to the Paris exposition commented not only on "Roman murrine glass", but also particularly on the mural glass mosaics, the "perfection of which" had "engaged the earnest attention of the company." Mosaics produced by the company during the time period are still in existence in diverse areas such as Gonville and Caius...
Walnut
Very Large Armoire - France, 18th Century
Located in Isle Sur La Sorgue, Vaucluse
Impressive cupboard from a convent (1 meter deep). Carved details, original hinges and key, original paint (except for the cornice). The interior can be adapted according to speci...
Jim Rose - Display Console, Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional six shelved bookcase made from repurposed steel, painted and hot rolled. Modeled after Shaker furniture, this modern industrial statement piece is a mod...
Steel
Sold
H 41 in W 45.5 in D 24.5 in
Shaker Two Drawer/Two Door Steel Pie Safe w/Drilled Holes, Natural Rust Patina
By Jim Rose
Located in Chicago, IL
Introduced in the early 1700's, the pie safe was an essential item in American kitchens before the introduction of refrigeration. The punched holes kept perishable goods safe from pests and were highly used up until the introduction of refrigeration in the mid 1880s. This modern take on an old tradition uses naturally rusted steel to bring a warmth to this beautifully constructed pie safe. The punched holes form an intricate floral pattern on three sides. One fixed shelf inside makes this a highly utilitarian yet stunningly beautiful addition to any room. Jim Rose Two Door - Two Drawer Punch Out Cupboard with Sill Edge, 2004 repurposed steel with natural rust patina 41h x 45.50w x 24.50d in 104.14h x 115.57w x 62.23d cm JR0268 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery Group Exhibitions: 2023 Jim Rose CODA, Gallery Victor, Chicago, IL Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2018 Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor Armendariz, Metropolitan Pavilion, NY, NY 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...
Steel
Pair of Jim Rose Ming Steel Chests
By Jim Rose
Located in Chicago, IL
Created exclusively for PAGODA RED, the Ming Steel Collection by artist Jim Rose forges a connection between Shaker minimalism and the simplified lines of Ming-dynasty furniture. The culmination of years of studying the vernacular history of furniture...
Steel
Sold
H 38 in W 53 in D 15.75 in
Jim Rose Two-Door Chinese Coins Quilt Cupboard, Functional Art Steel Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional two door cupboard. It is created from natural rusted steel and found steel. The panels on the door fronts and sides are made from salvaged pieces of stee...
Steel
Jim Rose Steel Furniture, Six-Drawer Strip Quilt Counter with Shelf
By Jim Rose
Located in Chicago, IL
This modern six-drawer counter is made from hot roll blue steel with the front panel design based on the gees bend quilts. Each panel is unique with the use of galvanized rusted stee...
Steel
Shaker Eleven Drawer Steel Apothecary Cabinet by Jim Rose
By Jim Rose
Located in Chicago, IL
This eleven drawer cabinet is inspired by Shaker furniture. Fully functioning with three rows of drawers of varying sizes and handmade hardware, this steel cabinet is by renowned furniture maker Jim Rose. With its timeless simplicity, this Shaker piece can stand on its own or help to complement a more eclectic design setting. As well as being utilitarian with all of its storage possibilities, it is a truly stunning piece of art. Jim Rose Legacy Collection Eleven drawer cabinet found steel with natural rust patina Measures: 14 H x 20 W x 8 D in 35.56 H x 50.80 W x 20.32 D cm JR0265 Jim Rose (1966-2023) Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate, Photography, Bard College, Annandale-on-Hudson, New York Selected Exhibitions 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor Armendariz, Metropolitan Pavilion, New York, NY 2017 SOFA Chicago 2017, Gallery Victor Armendariz, Chicago, IL Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma New Work, Tory Folliard Gallery, Milwaukee, WI 2016 SOFA Chicago 2016, Ann Nathan Gallery, Chicago, IL Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 SOFA Chicago 2015, Ann Nathan Gallery, Chicago, IL NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI ICFF, Furniture Society, Javits Convention Center, New York City, NY 2014 SOFA Chicago 2014, Ann Nathan Gallery, Chicago, IL 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ SOFA Chicago 2013, Ann Nathan Gallery, Chicago, IL Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 SOFA Chicago 2012, Ann Nathan Gallery, Chicago, IL Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI SOFA Chicago 2011, Ann Nathan Gallery, Chicago, IL 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY SOFA Chicago 2010, Ann Nathan Gallery, Chicago, IL 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI SOFA Chicago 2009, Ann Nathan Gallery, Chicago, IL High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY SOFA Chicago 2008, Ann Nathan Gallery, Chicago, IL 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY SOFA Chicago 2007, Ann Nathan Gallery, Chicago, IL Variation, Ann Nathan Gallery, Chicago, IL Transformation 5: Contemporary Works in Found Materials, Houston Ctr for Contemporary Craft, Houston, TX 2006 SOFA Chicago 2006, Ann Nathan Gallery, Chicago, IL Show us Your Drawers, Herron School of Art, Indianapolis, IN Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 SOFA Chicago 2005, Ann Nathan Gallery, Chicago, IL Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 SOFA Chicago 2004, Ann Nathan Gallery, Chicago, IL Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian Am Art Museum, Washington, D.C. American Collections, Milwaukee Art Museum, Milwaukee, WI More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 SOFA...
Steel
Jim Rose Steel Furniture - Eight-Drawer Blue Green Strip Quilt Counter
By Jim Rose
Located in Chicago, IL
This modern 8-drawer counter is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey, blue and green tones enhance the Industrial aesthetic of the piece. All eight drawers have handmade hardware and are on drawer stops. This piece is available as pictured. Jim Rose Eight-drawer strip quilt counter hot roll and found painted steel Measures: 36 H x 69 W x 16 D in 91.44 H x 175.26 W x 40.64 D cm JR0145 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skilful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is included in numerous museum collections. His work is sought after by collectors throughout the world. Jim Rose b. 1966, Wisconsin Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel
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H 36 in W 78 in D 18 in
Jim Rose Steel Furniture - Steel Console Table with Shelf, Monochromatic Design
By Jim Rose
Located in Chicago, IL
This modern console table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Its rich grey-blue tones enhance the Industrial aesthetic of the...
Steel
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H 38 in W 38 in D 14 in
Jim Rose Five-Drawer Strip Quilt Table, Steel Furniture, Found Multicolor Panels
By Jim Rose
Located in Chicago, IL
This modern 5-drawer table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey, blue and green tones enhance the Industrial aesthetic of the piece. All five drawers have handmade hardware and are on drawer stops. Jim Rose Five-drawer galvanized strip quilt table...
Steel
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H 42.5 in W 36 in D 18.5 in
Jim Rose Two-Door Basket Weave Multicolor Steel Quilt Pattern Cupboard
By Jim Rose
Located in Chicago, IL
This is a totally functional two-door cupboard. It is created from hot rolled steel and found steel. The legs are made from salvaged pipe. The panels on the door fronts and sides are...
Steel
Five-Drawer Galvanized Strip Quilt Table, Functional Steel Furniture
By Jim Rose
Located in Chicago, IL
This modern 5-drawer table is made from hot roll blue steel with the front panel design based on the Gees Bend Quilts. Each panel is unique with the use of galvanized rusted steel that is salvaged. Its rich grey and rust tones enhance the Industrial aesthetic of the piece. All five drawers have handmade hardware and are on drawer stops. Jim Rose Five-drawer galvanized strip quilt table...
Steel
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H 58 in W 38.5 in D 18.25 in
Jim Rose Starburst Pattern Cupboard with Chest of Drawers, Steel Art Furniture
By Jim Rose
Located in Chicago, IL
This is a totally functional cupboard is topped with a chest of drawers. It is created from hot rolled steel and found steel. The legs are made from salvaged pipe. The starburst panels are inspired by the Quilts of Gee's Bend Alabama. The blue-gray steel adds to the industrial aesthetic of this functional furniture piece. The two fixed shelves inside the cabinet allow for abundance storage. This piece is available as pictured. Jim Rose Starburst Cupboard and Chest of Drawers hot roll and found natural rust patina steel 58 H x 38.50 W x 18.25 D in 147.32 H x 97.79 W x 46.35 D cm JR0124 Jim Rose b. 1966, d. 2023 Bio: Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education: 1989 B.F.A., sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...
Steel