Jiro Yonezawa Art

Three stylized octahedrons -- which are crafted out of mahogany wood and can be manually rotated -- stand vertically on a wooden base between four mahogany cubes. The cubes are conne...

"Carta Series # 45, Paper Imbeds" Experimental Printmaking Wall Sculpture Handmade paper sculpture by Harold Paris (American, 1925-1979). This piece exemplifies post-minimalist and ...

At the heart of Emily Payne's work is drawing. Even her large hanging wire sculptures are like drawings in 3 dimensional space. By reducing thin...

Christine Romanell's "Mars Sucks" (2025) is a sculptural wall piece measuring 14 x 18 x 3 inches, composed of acrylic and Flashe on seven layers of laser-cut birch plywood. Predomina...

Variegated white marble, abstract model of a crouching figure on ebonized wooden base, signed by Hyam Myer (English 1904-1978).

"Ut Tenebras" is an original sculptural work in a painted wooden frame by Paige Smith (A Common Name). The piece is solid resin dyed and cast by the artist and measures 18in x 12in ...

Cube architectural I is the first of two free standing contemporary modern abstract wall sculptures from the Architectural-series by French-Dutch artist Olivier Julia...

Cheung Yee, Cast Paper painting, wall sculpture, black, edition CHEUNG YEE (1936–2019) The Chinese artist Cheung Yee, a pioneer of the contemporary art scene in Hong Kong, died in Los Angeles on December 4 at the age of eighty-three. The Hong Kong Museum of Art confirmed his passing. Best known for his paper castings; bronze relief; and wooden, stone, and bronze sculptures, which mixed Western modernism, traditional Chinese aesthetics, and elements of folklore and ancient philosophies, Cheung cofounded the avant-garde Circle Art Group with Hon Chi Fun, Wucius Wong, and several other peers. The group was active from 1964 to 1971. Born in Guangzhou, China, in 1936, Cheung was raised in Hong Kong but was forced to leave the region when the Japanese invaded China during the Second Sino-Japanese War; his family relocated to Guangzhou. When the conflict ended, Cheung returned to the region and began learning Gongbi, a realist brush technique in Chinese painting. In the 1950s, he studied art at Taiwan Normal University in Taipei, where he met his wife. Throughout his schooling, Cheung pursued his interests in archaeology and began experimenting with different materials and with approaches to copperplate etching, welding, and modeling. In 1964, Cheung’s first major retrospective was organized by the City Museum and Art Gallery at Hong Kong City Hall. The following year, he received a grant from the Institute of International Education to study in the United States and Europe. Since then, he has had solo exhibitions at the Hong Kong Museum of Art, AO Vertical Art...

Investigating the major themes of our time, artist designer Aurelie Hoegy is recognized as one of the new makers in contemporary design. The French artist and designer graduated from...

Sculpture Lulo 1 Limited edition of 12 Dimensions : H. 80 cm x D. 27 cm Mediums: Ash, oil, brass Japanese technique Yakisugi LULO - Collection Climbing. Both word and action are ...

"Stuck in the Membrane of Illusion" Abstract Relief Sculpture by Mickey "Kano" Kane (American, 20th century). This unique piece is composed of a variety of materials. Such as: pain...

Joe Garnero’s medium of choice for his winding abstract wood sculptures is reclaimed Redwood roots, which he finds along the northern California coast. The distinct curving shapes of...