Jocelyn Lee Photography

City Prison, 1965 by American photographer Leonard Freed is a vintage gelatin silver, signed verso (back of photo) by the photographer. It is an iconic image from the photographer's ...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Office Party, New York City, 1966 by Leonard Freed is a gelatin silver later print, 16 x 20, signed verso (on back) by the photographer. Freed enjoyed sto...

Geoff Reinhard is a photographer and producer based in New York City. Originally from Chicago, Geoff has a degree in architecture from the University of Southern California and attended the prestigious Portfolio Center in Atlanta. He began his creative career in advertising in São Paulo, Brazil eventually arriving on Madison Avenue where he created award winning multi-media campaigns for clients including HBO, Nike, Grey Goose, Tommy Hilfiger, Johnson & Johnson and the City of New York. With an eye for design and a passion for the visual medium, Geoff’s travels to Guatemala in 2007 with renowned photographer Phil Borges...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Elisa Contemporary Art is proud to present John Conn’s Hoboken New Jersey photographs. These limited edition fine art photographs were originally taken in 1976. Each black and white photograph is signed and numbered. Edition of 10. 15x15 image printed on archival paper. Dark Framed to 21 x 21. This image portrays a teenage, high school band member in his uniform. This iconic photographs by John Conn are part of the permanent collection of The New York Historical Society and Hoboken Historical Museum. About John Conn John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine...

Richard Gordon was born in Chicago in 1945. He studied Political Science at the University of Chicago and did not begin photographing until he worked at a photography studio in 1965. Early in Gordon’s career, Robert Frank critiqued his work and stated that he “loved photography too much.” Gordon frequently makes photographic references in his work and pays homage to the photographers who influenced him: Eugène Atget, Walker Evans, Robert Frank and Helen Levitt. Bookmaking has been an important element of Gordon’s photography from the beginning; he created his own press, Chimaera Press, and published Meta Photographs (Chimaera Press, 1978), One More for the Road: The Autobiography of a Friendship 1966-1996 (Flâneur Bookworks, 1996), American Surveillance: Someone to Watch Over Me (Chimaera Press, 2009), and Notes from the Field (Chimaera Press, 2012), as well as handmade and limited edition books. Richard Gordon’s photographs are represented in many institutional collections including: Art Institute of Chicago; Bibliothéque National, Paris; Centre Nationale de la Photographie, Paris; Corcoran Gallery of Art; J. P. Getty Museum (Wagstaff Collection); Library of Congress; Museum Ludwig, Cologne, Germany; Museum of Fine Arts, Houston; New York Public Library; Oakland Museum of Art; San Francisco Museum of Art; Santa Barbara Museum of Art; Stanford Museum of Art; and University of Colorado, Boulder. From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

This is a black and white contemporary portrait photograph of a female nude by Leonard Freed, Kate Resting, is in the photographer's series "Kate". A 20" x 16" gelatin silver photograph signed verso (back of photo) by the Freed estate (provenance). The self-assigned photo series on Kate became a welcome reprieve for Leonard Freed who during a long photo...

American photographer Burt Glinn's Stripper, Crazy Horse Saloon, Paris, 1956, is a 16" x 20" gelatin silver print, signed and authenticated by the Glinn estate. This photo offers an ...

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...