Johann Jungblut Art

Robert John Hammond British, (1853-1911) Fishing by the Lock Gate Oil on canvas, signed & dated 1893 Image size: 19.5 inches x 14.5 inches Size including frame: 25.75 inches x 20.75 inches A picturesque painting by Robert John Hammond of three figures next to a river lock. One of the figures can be seen fishing on the bank as the others take shade under the trees. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...

Judd Mercer's (US based) "Local Residents," is an original, handmade oil painting that depicts a green grassy pasture where a herd of black cows graze. About the Artist: Judd Mercer is a watercolor painter based in Denver, Colorado. After attending art school for industrial design, Judd pursued a career in digital design and user experience and is co-owner of Elevated Third, a Denver-based digital agency. After committing to writing and illustrating a full-length fantasy novel in his spare time, Judd began watercolor painting around 2014, studying with teachers such as Alvaro Castagnet, Joseph Zbukvic and Herman Pekel...

William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

Painting; E C. (?) Bellincioni, (Italian School, 19th Century) Five Classical Maidens in a Garden, signed EC Bellincioni, l.r., oil on canvas 26 by 37 in., overall in a gilt plaster...

Title: Landscape. Date/Period: 19th century. Dimension: 28cm x 44cm without frame. Frame measures 12cm (plus). Materials: Oil on canvas. Additional information: Dutch School, 19th ce...

Oil on canvas; 24" x 48". North Idaho artist. Greg Parker has mastered the ability to capture the very essence of what he sees and experiences in an exceptional artistic capacity. Gr...

Victorian Nineteenth Century Marine Oil Painting Ships in the Sunset off Whitby Coast. An Oil Painting on Canvas, mounted on stretchers and housed in a period frame. A most typica...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.5 INCHES X 19.5 INCHES** George Augustus Williams British, (1814-1901) Winter in...

Charles Lewis Fussell (American, 1840–1909) Children Playing on a Boat Oil on canvas, 11 x 16 3/4 inches Framed: 19 x 25 inches (approx.) Signed at lower left: “C.L. Fussell” Charle...

Continental, likely German, 19th century. Oil on canvas, housed in a gilt oval frame. A town scene, unsigned.

Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...