Skip to main content

John Stockton De Martelly Art

American, 1903-1980

John Stockton de Martelly was a lithographer, etcher, painter, illustrator, teacher and writer. He was born in Philadelphia and studied at the Pennsylvania Academy of Fine Arts, in Florence, Italy and at the Royal College of Art in London. In the 1930s and 1940s, he taught printmaking at the Kansas City Art Institute to the same students, who studied painting with Thomas Hart Benton. De Martelly became a close friend of Benton and was influenced by his Regionalist style. When Benton was no longer at the Art Institute, the Board of Governors offered de Martelly Benton's job as head of the Painting Department, to which he declined. De Martelly's lithographs sold through the Associated American Artists Galleries in New York in the 1930s and 1940s, captured the essence of the rural American landscape. Eventually, he took a position as the artist-in-residence at Michigan State University in East Lansing. By the late 1940s, he abandoned Regionalism for Abstract Expressionism and closely studied Honore Daumier. His drawings, paintings and prints are now in the collections of many museums, including the Victoria and Albert Museum in London, the Corcoran Gallery of Art in Washington, D.C., Kresge Art Museum in East Lansing, the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art in Kansas City, the Detroit Institute of Art and the Whitney Museum of American Art.JOHN STOCKTON DE MARTELLY (USA, 1903–80)

to
2
1
1
Overall Width
to
Overall Height
to
2
1
1
2
1
1
1
2
2
10,186
2,809
2,503
1,398
1
2
Artist: John Stockton De Martelly
Old Moon, Regionalist Artist, Student of Thomas Hart Benton
Old Moon, Regionalist Artist, Student of Thomas Hart Benton

Old Moon, Regionalist Artist, Student of Thomas Hart Benton

By John Stockton De Martelly

Located in Grand Rapids, MI

John Stockton de Martelly (American, 1903 - 1979) Signed: John S. de Martelly (Lower, Right) " Old Moon ", 1930 Edition of 250 Site Size: 10 3/4" x 14" Housed in a 1" Silver and...

Category

Early 20th Century John Stockton De Martelly Art

Materials

Lithograph

HIEROGLYPHIC
HIEROGLYPHIC

HIEROGLYPHIC

By John Stockton De Martelly

Located in Santa Monica, CA

JOHN S. de MARTELLY (1903 - 1979) HIEROGLYPHIC, 1954 Lithograph, signed, no. 20 and dated '54 in pencil by the artist. 12 x 16 inches, large sheet 17...

Category

1950s Abstract John Stockton De Martelly Art

Materials

Lithograph

Related Items
Ferris Wheel: abstract modern minimalist color field drawing with rainbow colors
Ferris Wheel: abstract modern minimalist color field drawing with rainbow colors

Ferris Wheel: abstract modern minimalist color field drawing with rainbow colors

By Gene Davis

Located in New York, NY

This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...

Category

1970s Abstract John Stockton De Martelly Art

Materials

Lithograph

Two Columns (framed): colorful pop art abstracted Greek pillars Micheal Hurson
Two Columns (framed): colorful pop art abstracted Greek pillars Micheal Hurson

Two Columns (framed): colorful pop art abstracted Greek pillars Micheal Hurson

By Michael Hurson

Located in New York, NY

Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...

Category

1980s Contemporary John Stockton De Martelly Art

Materials

Lithograph, Screen

Woman with the Fan - Vintage exhibition poster - 1972
Woman with the Fan - Vintage exhibition poster - 1972

Woman with the Fan - Vintage exhibition poster - 1972

By (after) Claude Monet

Located in Paris, IDF

Claude Monet (after) Woman with the Fan Exhibition poster printed in offset, with some color in lithograph and metallic ink Signature printed in the plate 119 x 84 cm (c. 48 x 34 in...

Category

1970s Impressionist John Stockton De Martelly Art

Materials

Lithograph, Offset

Adolf Dehn, Lake Tarryall, 1941 mid-century lithograph of Colorado mountain lake
Adolf Dehn, Lake Tarryall, 1941 mid-century lithograph of Colorado mountain lake

Adolf Dehn, Lake Tarryall, 1941 mid-century lithograph of Colorado mountain lake

By Adolf Dehn

Located in New York, NY

Lake Tarryall, a 1941 lithograph by Adolf Dehn (1895-1968) was made while he was teaching in Colorado. A native of Waterville, Minnesota, Dehn attended the Minneapolis School of Art ...

Category

1940s American Modern John Stockton De Martelly Art

Materials

Lithograph

Vitraux in Four Sheets Puzzle of Life by Salvador Dali
Vitraux in Four Sheets Puzzle of Life by Salvador Dali

Vitraux in Four Sheets Puzzle of Life by Salvador Dali

By Salvador Dalí­

Located in New York, NY

Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989) Lithograph on paper 52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm) 53 ½ x ...

Category

1770s Surrealist John Stockton De Martelly Art

Materials

Lithograph

Lips in Perspective, Nude Lithograph by Roberto Carbone
Lips in Perspective, Nude Lithograph by Roberto Carbone

Lips in Perspective, Nude Lithograph by Roberto Carbone

By Roberto Carbone

Located in Long Island City, NY

Lips in Perspective Roberto Carbone, Italian (1949) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 27 in. x 20 in. (68.58 cm x 50.8 cm)

Category

1970s Realist John Stockton De Martelly Art

Materials

Lithograph

Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
Large Bus by Allen Jones classic British 1960s pop art in bright primary colors

Large Bus by Allen Jones classic British 1960s pop art in bright primary colors

By Allen Jones

Located in New York, NY

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Category

1960s Pop Art John Stockton De Martelly Art

Materials

Lithograph

Lewis Lee Tilley 1966 Abstract Color Lithograph, American Modernist Limited Ed.
Lewis Lee Tilley 1966 Abstract Color Lithograph, American Modernist Limited Ed.

Lewis Lee Tilley 1966 Abstract Color Lithograph, American Modernist Limited Ed.

Located in Denver, CO

This 1966 American Modernist abstract color lithograph by renowned artist Lewis Lee Tilley (1921–2005) is a striking example of mid-20th-century abstraction. Pencil-signed by the artist and numbered 4 of 5 in a very limited edition, this rare lithograph demonstrates Tilley’s mastery of color theory, geometric abstraction, and dynamic composition, making it highly desirable for collectors of American Modernist prints. The artwork features a bold interplay of vibrant colors and abstract forms, creating a rhythmic and visually compelling composition. Its balance of energy and sophistication reflects Tilley’s distinctive modernist style and innovative approach to printmaking. Ideal for gallery display or a contemporary interior, this lithograph is a refined addition to any modern art collection. Professionally framed, the piece measures 29 x 23 inches overall, with an image size of 12 ½ x 10 ½ inches, providing a strong visual presence without overwhelming space. Provenance: Formerly part of the Fremont Center for the Arts collection, Canon City...

Category

1960s Abstract John Stockton De Martelly Art

Materials

Lithograph

Tomi Ungerer Nude Gun (Tomi Ungerer underground sketchbook)
Tomi Ungerer Nude Gun (Tomi Ungerer underground sketchbook)

Tomi Ungerer Nude Gun (Tomi Ungerer underground sketchbook)

By Tomi Ungerer

Located in NEW YORK, NY

Tomi Ungerer Nude Gun: a selection from Underground Sketchbook: First printing, 1965. Medium: Vintage poster. Dimensions: 23 in. x 29 in. (58.42 cm x 73.66 cm). Very good overall vi...

Category

1960s Pop Art John Stockton De Martelly Art

Materials

Lithograph, Offset

Two Thieves
Two Thieves

Maurice EstèveTwo Thieves, 1969

$2,401

H 19.89 in W 25.6 in

Two Thieves

By Maurice Estève

Located in Paris, FR

Lithograph, 1969 Edition : 49/75 Publisher : Alain Mazo (Paris) Printer : Mourlot (Paris) Catalog : [Prudhomme 50, p. 78] 50.50 cm. x 65.00 cm. 19.88 in. x 25.59 in. (paper) 39.00 c...

Category

1960s Abstract John Stockton De Martelly Art

Materials

Lithograph

Le Bouquet
Le Bouquet

Georges BraqueLe Bouquet, 1962

$3,841

H 13 in W 20.48 in

Le Bouquet

By Georges Braque

Located in Paris, FR

Lithograph, 1962 Edition : HC 10/125 Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) Catalog : [Vallier 188, p. 284] 33.00 cm. x 52.00 cm. 12.99 in. x 20.47 in. (p...

Category

1960s Abstract John Stockton De Martelly Art

Materials

Lithograph

Previously Available Items
For the Love of Barbara Allen (Young girl enters room with two women by stove)
For the Love of Barbara Allen (Young girl enters room with two women by stove)

For the Love of Barbara Allen (Young girl enters room with two women by stove)

By John Stockton De Martelly

Located in New Orleans, LA

John de Martely's image, "for the Love of Barbara Allen" is in the collection of the National Gallery, the Fine Art Museum of San Francisco and Yale University. No other old English or Scottish ballad even comes close to the popularity of “Barbara Allen.” Brought over to America by the earliest pioneers, its roots can be traced to at least the year 1666 when Samuel Pepys wrote in his diary on January 2, “In perfect pleasure I was to hear her [Mrs. Knipp, an actress] sing, and especially her little Scotch song of Barbary Allen.” Even Abraham Lincoln sang “Barbara Allen” while growing up in rural Indiana. In America, “Barbara Allen” was sometimes called “Barbara Allen’s Cruelty or the Young Man's Tragedy.” It was also known as “Barbara Ellen,” and “Bonny Barbara Allan.” In the beginning of the 19th century “Barbara Allen” was used both as a children’s game and as an instrumental at dance parties. In the mid 18th century the tune of “Barbara Allen” was also used for several religious texts. During the Civil War, it provided the melody of a song called “Brother Green,” which told the last words of a dying soldier. By the end of the 19th century, ballads such as “Barbara Allen” were all but forgotten in the British Isles where they originated. When we think back to the roots of bluegrass music, it’s important to remember that ballads like “Barbara Allen” were the bedrock that bluegrass music was built on. For certain, the ancestors of the first generation of bluegrass singers like Bill Monroe, Lester Flatt, Carter Stanley, Don Reno and Mac Wiseman were so familiar with ballads like “Barbara Allen” that they could sing all the verses from memory. Even today, "Barbara Allen" has maintained its status as America’s best- known ballad. In recent years, it has been recorded more than three hundred times. A short list of but a few of the artists who have recorded “Barbara Allen” : Eddie Arnold, Joan Baez, Mac Wiseman, Hylo Brown, Doris Day, Judy Collins, Bob Dylan, Dave Dudley, The Everly Brothers, Tennessee Ernie Ford, Art Garfunkel, Crystal Gayle, Tex Ridder and Dolly Parton. Barbara Allen ‘Twas in the merry month of May When all gay flowers were blooming Sweet William...

Category

1940s American Modern John Stockton De Martelly Art

Materials

Lithograph

For the Love of Barbara Allen (Young girl enters room with two women by stove)
For the Love of Barbara Allen (Young girl enters room with two women by stove)

For the Love of Barbara Allen (Young girl enters room with two women by stove)

By John Stockton De Martelly

Located in New Orleans, LA

John de Martely's image, "for the Love of Barbara Allen" is in the collection of the National Gallery, the Fine Art Museum of San Francisco and Yale University. No other old English or Scottish ballad even comes close to the popularity of “Barbara Allen.” Brought over to America by the earliest pioneers, its roots can be traced to at least the year 1666 when Samuel Pepys wrote in his diary on January 2, “In perfect pleasure I was to hear her [Mrs. Knipp, an actress] sing, and especially her little Scotch song of Barbary Allen.” Even Abraham Lincoln sang “Barbara Allen” while growing up in rural Indiana. In America, “Barbara Allen” was sometimes called “Barbara Allen’s Cruelty or the Young Man's Tragedy.” It was also known as “Barbara Ellen,” and “Bonny Barbara Allan.” In the beginning of the 19th century “Barbara Allen” was used both as a children’s game and as an instrumental at dance parties. In the mid 18th century the tune of “Barbara Allen” was also used for several religious texts. During the Civil War, it provided the melody of a song called “Brother Green,” which told the last words of a dying soldier. By the end of the 19th century, ballads such as “Barbara Allen” were all but forgotten in the British Isles where they originated. When we think back to the roots of bluegrass music, it’s important to remember that ballads like “Barbara Allen” were the bedrock that bluegrass music was built on. For certain, the ancestors of the first generation of bluegrass singers like Bill Monroe, Lester Flatt, Carter Stanley, Don Reno and Mac Wiseman were so familiar with ballads like “Barbara Allen” that they could sing all the verses from memory. Even today, "Barbara Allen" has maintained its status as America’s best- known ballad. In recent years, it has been recorded more than three hundred times. A short list of but a few of the artists who have recorded “Barbara Allen” : Eddie Arnold, Joan Baez, Mac Wiseman, Hylo Brown, Doris Day, Judy Collins, Bob Dylan, Dave Dudley, The Everly Brothers, Tennessee Ernie Ford, Art Garfunkel, Crystal Gayle, Tex Ridder and Dolly Parton. Barbara Allen ‘Twas in the merry month of May When all gay flowers were blooming Sweet William...

Category

1940s American Modern John Stockton De Martelly Art

Materials

Lithograph

While the Sun Shines
While the Sun Shines

While the Sun Shines

By John Stockton De Martelly

Located in Missouri, MO

John Stockton De Martelly "While the Sun Shines" c. 1943 Lithograph Ed. 250 Signed in Pencil Lower Right approx. 10 x 14 inches approx. 14 3/4 x 18 3/4 framed John Stockton de Marte...

Category

1940s American Realist John Stockton De Martelly Art

Materials

Lithograph

Burning Bush

Burning Bush

By John Stockton De Martelly

Located in Fairlawn, OH

Signed in graphite large flowing script: DeMartelly, left side, verso; Signed in graphite by the artist's son, Michael De Martelly, top left verso; Signed with the circular estate st...

Category

1950s John Stockton De Martelly Art

Materials

Oil

John Stockton De Martelly art for sale on 1stDibs.

Find a wide variety of authentic John Stockton De Martelly available for sale on 1stDibs. You can also browse by medium to find art by John Stockton De Martelly in lithograph and more. Much of the original work by this artist or collective was created during the 1950s and is mostly associated with the abstract style. Not every interior allows for large John Stockton De Martelly, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Kimber Smith, Terry Haass, and Marko Spalatin. John Stockton De Martelly prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $680 and tops out at $680, while the average work can sell for $680.

Artists Similar to John Stockton De Martelly