John Walsh Walsh Vases and Vessels

"Vagues" vase signed Lalique, made in France in the mid-20th century. Made of frosted and satin crystal with decoration of molded wings in relief, which surround the object. In the u...

A gorgeous Arts & Crafts period glazed ceramic art pottery vase By Rookwood Pottery USA, 1951 Glazed ceramic combining orange, turqouise, purple, and pink tones with cream interio...

Beautiful and elegant french Baccarat cut crystal art deco style decorative vase. The heavy cut crystal give a very stable stability to the vase and also feature an art deco style wi...

Stoneware planter by John Follis for Architectural Pottery. This example has a drum shape with a rounded lip that curves in at the top of the piece. Planter stamped "USA.” Dimension...

This sweet sized vintage vase features the pomegranate design on a dark cobalt blue background. It was designed by William Moorcroft and produced at Burslem. The base is reassuringly...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Original french art deco vase by Christofle in typical work of "dinanderie", Circa 1930. Signed on the base as showed in the picture. Documented also in the book "La dinanderie fran...

Finely carved smoky rock crystal vase with natural gemstone decoration. Created by Phoenix Gallery, NYC.  

Art Deco iron vase, green, patinated, made by Christofle. Signed Christofle, 10A France, CIRCA 1930.

German Arts and Crafts Ceramic Two Handled Vase

A signed wheel-thrown glazed porcelain oxblood glazed vase by Korean/American artist John Takehara. The piece is titled Akebono and was produced in the 1...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...