John Webber

John Webber created the engraving titled "A Boxing Match, in Hapaee, one of the Friendly Islands." Webber was indeed an artist who accompanied Captain James Cook on his third voyage ...

Framed large black and white engraving of sea shells by Lister. This very rare copper engraving is from Martin Lister's work Historiae sive synopsis m...

Antique map New Zealand titled 'Kaart van Cooks Straat in Nieuw Zeeland'. Antique map of Cook's Strait in New Zealand. Originates from 'Reizen ...

This original antique engraving is a set of two portraits side by side from "A New, Royal, Authentic and Complete System of Universal Geography, Antient and Modern" published by C. C...

This lithograph by Karl Joseph Brodtmann depicts two individuals from the Sandwich Islands, now known as Hawaii. The artwork reflects Brodtmann’s ethnographic interest in documenting...

This print titled "Ornemens, Ustensiles Et Armes Des Isles Des Amis" is from Captain James Cook's third voyage, specifically published in 1777 by Strahan and Cadell. It represents va...

An engraving depicting the historical event titled "The Landing of Capt. Cook &c. at Middleburgh, one of the Friendly Isles." Description: - The scene shows Captain James Cook and...

Antique map titled 'Chart of the World, according to Mercators Projection'. This world map shows the various discoveries of Captain James Cook during his 3 voyages between 1768 and 1780, and the English and French Explorers who followed immediately thereafter, including Vancouver and La Perouse. This edition of the map is significantly revised from the editions issued immediately after the official report of Cook's Voyages were integrated into the map, showing better detail in New Zealand, Australia, the Northwest Coast of America and North East coast of Asia, along with Greenland. A new large lake also appears for the first time in the Western part of North America, shortly before the commencement of the Lewis...

1778 Engraving of Captain Cook's Second Voyage: Meeting Tahitians This beautiful copper-line engraving from 1778, created by Charles Grignion (1717-1810) after a work by Samuel Wale...

This framed antique and reverse printed panel was produced in England in the early 20th century by an unknown maker to commemorate the death of Admiral Lord Nelson...

This engraving, published in London by Alex Hogg at the Kings Arms, No.16 Paternoster Row, features two side-by-side portraits with the labels "Portrait of ...

The title 'Quadrupede Nomme Kanguroo, Trouve sur la Cote de la N'le Hollande' refers to an uncolored engraving depicting a Kangaroo, originally found and described during Captain Cook's first voyage, later rendered by George Stubbs in the English account. This French version offers a portrayal of the Kangaroo encountered on the coast of New Holland (Australia) during that expedition. The Kangaroo illustration, an integral part of the narrative from Cook's exploration, became renowned due to its significance in the documentation of newly discovered fauna. George Stubbs, a celebrated artist, interpreted and immortalized this image in the English account of Cook's voyage. This uncolored engraving presents a historical representation of the Kangaroo, an iconic symbol of Australia's unique wildlife, as observed and documented during a pivotal period of exploration. The illustration stands as a testament to the scientific curiosity and documentation prevalent during early voyages of discovery, contributing to the understanding and documentation of the natural world in the 18th century. The print is in good condition, considering its age, but does have a few slightly visible vertical creases and some soiling. Nevertheless a very representable print of a few hunderd years old (1744). Description: This engraving is based on the first illustration of a “Kangaroo” an Australian species, drawn by George Stubbs from a specimen collected at Endeavour River in 1770 by James Cook’s crew while the Endeavour was being careened and issued in the official accounts of the voyage of the Endeavour. This iconic image captured the public’s imagination for over sixty years and was the first depiction of any Australian animal in western art. Confusion exists as to the original species described, based on the specimens brought back by Cook and the subsequent painting by Stubbs. This situation arose in the comparisons of drawings and photographs which are the only records of the lost original specimens, with Parkinson’s sketch made on 23rd June 1770 at Endeavour River and the later Stubbs painting...