John White Landscape Paintings

US buyers pay no import tariffs on this item. This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an exten...

War Ship at Sea signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very go...

The Highland Path Scottish School, circa 1830's, unsigned Oil painting on canvas, unframed canvas: 26 x 20 inches condition: very good and ready to hang provenance: from a private co...

The River Crossing by Richard Sebastian Bond (British 1808-1886), signed and dated 1864 oil painting on canvas: 20 x 30 inches framed: 25 x 35 inches condition: very good and presentable in swept gilt frame provenance: private collection, England A lovely Victorian oil painting on canvas, dating to the 1860's. The painting depicts this Highland landscape with a mother and her children...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: a copy after de Loutherbourg's 1795 painting of Lord Howe's action of 1 June 1794 in th...

Artist/ School: French School, 20th century, signed by Eug. Mavie Title: Napoleonic War Ships at Sea, beautifully detailed with remarkable detailing. Medium: oil on canvas, unfram...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

Eva Makk has been called “the world’s foremost living impressionist painter”. She is celebrated for graceful, light-infused compositions executed with shimmer...

Artist/ School: Scottish/ Irish School, 19th century Title: Anglers in a Highland landscape Medium: oil painting on canvas, framed Size: framed: 20.75 x 26.5 inches canvas: 15 x...

Crofter Cottahes by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed framed: 23 x 30 inches canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards". F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking in front of the Théâtre de l'Atelier with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a gold tone French style carved wood frame with hanging wire on verso ready to be displayed. Art measures 14 x 18 inches Frame measures 18 x 22.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...