Johnnie Winona Ross Art
American, b. 1949
Johnnie Winona Ross is inspired by the landscape of northern New Mexico, where he has lived and worked for the last twenty years.
At first glance his paintings and works on paper appear to be largely absent of color, but looking more closely the layers upon layers of subtle earthen colors reveal themselves, knocked back by opaque washes of white. This interspersed layering of color, melding opacity and transparency, and building depth through repetition, are the integral elements of his work.
As artist and writer Kate Beck notes,
"This process of painting, scraping and repainting establishes a subliminal dynamic between counteractive elements - presence/absence, structure/freedom, resistance/release, richness/ austerity-that ultimately allows an elegant integration of romantic irony to permeate his surfaces. The viewer is quietly entranced by his purity of form, light and the suggestion of what lies beneath. This is the artist's process, his hand."
In 1999, following a long teaching career, he resigned his post as chair of the Art Department at The Maine College of Art in Portland, and moved to Taos. From his New Mexico studio he explores the vocabulary of minimalism and the complexity of rendering the experience of the high desert in pure abstraction. He now exhibits regularly in New York, San Francisco, Los Angeles, Dallas, and throughout Northern New Mexico. He has been the recipient of many grants and awards, including a Fulbright Artist in Residence and a Gottlieb Foundation Support Grant.
Among the many public collections holding work by Ross are the Cleveland Museum of Art, Cleveland, OH; the Sori Arts Center of Jeollabuk-do, Jeonbuk, Korea; the Albright-Knox Art Gallery, Buffalo, NY; the New Mexico Museum of Art, Santa Fe, NM; the Harwood Museum of Art, Taos, NM; the University of New Mexico Art Museum, Albuquerque, NM; the Tamarind Institute, Albuquerque, NM; the Portland Museum of Art, Portland, ME; and the Lannan Foundation, Santa Fe, NM.to
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Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art
By Johnnie Winona Ross
Located in New York, NY
Johnnie Winona Ross
Deep Creek Seeps 10, 2007
Oil paint on acrylic base burnished on Belgian linen
Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\
Canvas is stretched against wooden backing but no outer frame
This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss.
Maureen Mullarkey of Studio Matters wrote in 2010:
THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition:
"Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.”
Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...
Category
Early 2000s Minimalist Johnnie Winona Ross Art
Materials
Linen, Laminate, Mixed Media, Oil, Acrylic
IT ALWAYS TURNS OUT FOR THE BEST.
By Johnnie Winona Ross
Located in Portland, ME
Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA.
In excellent condition: the browned edges and the foxing mark are qualities of the old papers...
Category
1980s Johnnie Winona Ross Art
Materials
Acrylic
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REPRESENTATION
Artspace Warehouse, Los Angeles, USA
SOLO EXHIBITIONS
2018 Lacy Lines, The District, Boise, Idaho
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2013 Block in the Void, The District, Boise, Idaho
2012 Back of the Light, The District, Boise, Idaho
1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon
1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon
SELECT GROUP EXHIBITIONS
2023 “Fluro Colour Forever”, Civic Center, Nampa, ID
2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA
2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA
Reflections and Shadows, Meridian Library, ID
Behind the Red Door, Initial Point Gallery, ID
2019 Affordable Art Fair, New York, NY
Roots, Nampa Civic Center, Nampa, ID
Binary Response, Artspace Warehouse, Los Angeles, CA
After Dark: A Duality, Nampa Civic Center, Nampa, ID
2018 Affordable Art Fair, New York, NY
Artspace Warehouse, Los Angeles, CA
Art Palm Springs, CA
2017 Artspace Warehouse, Los Angeles, CA
2016 6 by Six, Art Source Gallery, Boise, Idaho (juried)
This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried)
Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried)
Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried)
2015 Hunting and Gathering Exhibition, Treasure Valley
Artists Alliance, Boise, Idaho (juried)
Artspace Warehouse, Los Angeles, California
2nd 2015 Showcase Competition, winner, Artslant
Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington
2011 Elon University Gallery, Elon, North Carolina
2010 Idaho Triennial, Boise Art Museum, Boise, Idaho
1987 La Quinta Juried Art Festival, La Quinta, California
1984 Courtyard Gallery, Portland, Oregon
1983 Courtyard Gallery, Portland, Oregon
1982 Courtyard Gallery, Portland, Oregon
1981 Courtyard Gallery, Portland, Oregon
1980 Salon de Refuses, Portland Center for the Visual Arts (PCVA), Portland, Oregon
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1979 Courtyard Gallery, Portland, Oregon
1978 Artists of Oregon, Portland Art Museum, Portland, Oregon (juror: Wayne Thiebaud)
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1977-1974
Courtyard Gallery, Portland, Oregon
Gazebo Gallery, Lake Oswego, Oregon
PUBLICATIONS
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2010 Boise Weekly Vol. 19 Issue 15, Oct 6–12, 2010
2010 Sustain + Expand, Boise Art Museum, Boise, Idaho
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Johnnie Winona Ross art for sale on 1stDibs.
Find a wide variety of authentic Johnnie Winona Ross art available for sale on 1stDibs. You can also browse by medium to find art by Johnnie Winona Ross in acrylic paint, paint, synthetic resin paint and more. Not every interior allows for large Johnnie Winona Ross art, so small editions measuring 32 inches across are available. Customers who are interested in this artist might also find the work of Lynne Golob Gelfman, Erle Loran, and Judy Rifka. Johnnie Winona Ross art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,800 and tops out at $4,800, while the average work can sell for $4,800.