Joichi Hoshi Wall Decorations

Chinese knotted tassels are used to add elegance to everyday items like hairpins or lanterns but they often hold sentimental value, and are passed down through families for generatio...

Introducing a captivating masterpiece: "Serene Reflections of Ine – A Journey through Time." Immerse yourself in the allure of 1988's Japanese woodblock print, meticulously crafted a...

Original Japanese polychrome woodblock print "snowflowers" by Nishijima Katsuyuki. Signbed by the artist in pencil in the lower right corner. The subject in this artwork is the Honjin (Inn for Daimyô) in Kusatsu on a snowy day. Honkin was the most prestigious accommodation in Shukuba (post town) in the Edo period. Kasatsu-juku Honjin was the landmark of Kusatsu-juku for about 240 years from the early Edo period to the early Meiji period. The books of guest records are written about many famous historical...

Rare, original 19th century woodblock print. Beautiful Edo period print from the original publisher. Quality framed with conservation glass in an black painted frame. Red Blue Gree...

Double Sailor's Valentine of Sea Shells, Barbados, West Indies, Circa 1885 A double sailor's valentine with Spanish Cedar box with two sides. The right side is centered with a heart within within a ring of pink shells with beds of different colored sea shells at the border The left side has a star in the center and also with a circular ring of shells with alternating panels around the border Dimensions: Open: 18 1/2 inches wide x 9 inches x1 1/2 inches deep; Closed: 9 inches wide x 9 inches high x 3 inches deep See an article from the Seaport Museum, New York City, about the story and history of valentines. From Wikipedia A sailor's valentine is a form of shellcraft, a type of mostly antique souvenir...

Fantastic psychedelic, out-of-this-world even, design by Steranko features on this original 1970s poster for Star Trek. This original vintage movie poster have been professionally...

A fine, professionally framed original Japanese woodblock print attributed to the master Utagawa Kunisada (1786 – 1865), also known as Utagaw...

Beautiful Japanese woodblock print by Katsuyuki Nishijima born in Kyoto in 1945. Signed, titled and numbered by the artist in pencil. Nishijima ha...

Four Antique Japanese Woodblock Prints, Framed C1920 Measures - 11"H x 13.5"W x .75"D (Largest)

Nishijima Katsuyuki (西島 勝之) is a contemporary Japanese artist known for his woodblock prints, which often depict traditional Japanese architecture and landscapes. Born in 1945 in Yamaguchi Prefecture, Japan, Nishijima studied at the Kyoto Prefecture Art School and began his career as a painter before transitioning to woodblock printing. His works are celebrated for their detailed and vibrant representation of the Japanese countryside and urban scenes. Nishijima's prints are recognized for their use of bold colors and intricate details. He employs traditional woodblock printing techniques, which involve carving the image into woodblocks, inking the blocks, and then pressing them onto paper. Each color in the print requires a separate block and precise alignment, or registration, to create the final image. The print's title is "Bunraku" and is one of Nishijima's works that showcase traditional Japanese buildings and scenes. The print features a detailed depiction of a traditional Japanese storefront with a noren...

Tomio Kinoshita (1923 – 2014) Big Boys, 1960 Woodblock print Image size: 32.75 high by 22 inches wide (83 by 56 cm) Paper size: 35.5 high by 23.75 inches wide (90 by 60.3 cm) Signed: in pencil lower right, Tomio Kinoshita Titled: in pencil at lower left Edition: 30/50 Condition: Very good The woodblock for this large print was carved in 1958, just three years after Kinoshita’s began creating woodblocks. This print was signed and dated in 1960, but not numbered; prints were also pulled from this block in the 1970s, so it must have been one of more popular images. One of his students has written, “As time progressed further, the postwar era saw improvements in nutrition, and children became taller and heavier than in the past, but their lack of physical exercise and severely inferior physical abilities became a social problem; this is ironically depicted in Big Boys.” In 1963, Kinoshita told him that he had just finished pulling a print of this image in response to a request from Unichi Hiratsuka...

Artist: Utagawa Hiroshige (1797 - 1858) Series: One Hundred Famous Views of Edo (1856-58) Number: 39 Distant View of Kinryuzan Temple and Azuma Bridge Publisher: Uoya Eikichi Format: Vertical Oban Number of Prints: 120/120 (inc. title page and a replacement print by Hiroshige II) Medium: Woodblock Print Date: 1857 (Ansei 4), 8th month Size (H x W): 14" x 9.25" print only. Signature: Hiroshige ga Censor's seals: aratame, Snake 8 No blockcutter's mark Reference: For a similar print, see the collection of Art Institution Chicago Accession Number 1938.536 and 1965.1062; MFA Boston...