Jonas Lie Art

Eleanor Woolley Poppies Near Naunton 2 Original Painting Oil Paint on Canvas Canvas Size: H 61cm x W 61cm x D 3.7cm Signed Sold Unframed Ready to Hang (Please note that in situ image...

LOOK FOR FREE SHIPPING. PRICE NEGOTIABLE Orange and Purple Trees in Harmony is an contemporary impressionist landscape painting that was painted from scenes near Brenham and Chap...

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...

In this plein air painting, Orsolic Dalessio creates a composition reminiscent of The Hudson River School paintings, but with an impressionistic hand. Along with the studied composit...

“Ghost Town” by Harold Skene (1883–1978) is a compelling vintage oil painting that evokes the quiet drama of Colorado’s mining past. This atmospheric Western landscape depicts a lone prospector and his pack mule standing among the weathered remnants of an abandoned mountain town. Set in late summer or early autumn, the scene is painted in a rich, earthy palette of golden yellows, sage greens, dusty pinks, and soft blues, capturing the stillness and solitude of the high desert West. Painted in oil on board, the work is signed by the artist at the lower right and titled and dated on the verso, underscoring its authenticity and historical value. Skene’s careful attention to structure and perspective reflects his architectural training, while his expressive handling of landscape conveys the emotional weight of a once-thriving community now reclaimed by nature. The painting measures 24 x 30 inches (image size) and is presented in a classic mahogany frame with overall dimensions of 30 x 35.5 x 2.75 inches, offering strong visual presence and immediate display appeal. A graduate of Harvard’s School of Architecture, Harold Skene studied at the Denver Art Academy and the Broadmoor Art Academy, and served as an assistant to noted Western artist Allen Tupper True...

"Oats and Poppy" is an Impressionist painting of a field of wild poppies and oats. Painted en plein air. Unframed Signed at bottom Artist's statement: Even as a child of 2, I had a...

Painted en plein air, in Sag Harbor, New York. Situated in the People's United Bank parking lot, Butko looks over to the opposite side of Main Street. Beneath tall, fully bloomed trees, illuminated storefronts glisten after they close up for the day. Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art...

Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...

A golden wheat field stretches across the canvas under a bruised and restless sky, the grain bent slightly by an unseen wind that seems to arrive just ahead of the rain. Tire tracks ...

This evocative oil painting by Richard Sigafoos presents a solitary coastal rock formation rising against a softly illuminated seascape. Rendered with confident, expressive brushwork...