Jorge Dumas Paintings

Human Faces Abstract Collection - HFC 9 - Limited Edition Textured Canvas Print Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstrac...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

'Women in Deckchairs', oil on canvas, by Camille Hilaire (circa 1960s). Folding wooden chairs with woven or cane seats and backs, of the type now...

* No US duty or taxes to pay on this item * A beautiful mid 20th century Swedish oil on canvas self portrait of an artist wearing a beret. Very decorative work in the cubist style w...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Deux Minutes (Two Minutes) Acrylic on Canvas 92 x 60 cm In Deux Minutes, Grégoire Mathias captures a deeply personal and intimate interior scene, depicting his wife in her modestly ...

Conversation Acrylic on canvas 60 x 50 cm Greg Mathias blends figurative forms and bold graphic cues in Conversation, a work inspired by Synthetic Cubism. Featuring typographic symb...

Portrait d'un Jeune Philosophe (Portrait of a Young Philosopher) 55 x 38 cm Acrylic on canvas Signed lower right Framed This expressive portrait captures a young man fragmented into overlapping profiles, planes, and architectural forms. Rendered in Mathias’s Diachronic Cubism, the figure appears at multiple moments of thought simultaneously—looking, reflecting, withdrawing—suggesting an inner dialogue rather than a fixed identity. Cool blues and greys dominate the composition, offset by warm ochres and muted greens that structure the space like a cityscape of ideas. The repeated faces and directional lines evoke both introspection and intellectual tension, reinforcing the title’s reference to philosophy as an active, layered process rather than a static pose. The composition balances human presence with abstract geometry, blurring the boundary between mind and environment. This creates a sense of movement in time: the same subject perceived across successive instants of contemplation. Collector’s Insight: This work exemplifies Mathias’s ability to merge portraiture with temporal fragmentation. Rather than depicting a likeness, he constructs a psychological landscape—ideal for collectors drawn to modern figurative abstraction with conceptual depth. The vertical format enhances its architectural rhythm and makes it particularly striking in intimate or transitional spaces. Perfect For: Collectors: – Figurative abstraction with intellectual or philosophical themes – Contemporary European cubist lineage Interior Designers & Decorators: – Studies, libraries, offices, or reading corners – Modern, contemporary, or intellectually curated interiors – Vertical wall art...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Very impressive and a rare early work by Frederick E. Conway (1900 - 1973). Oil on board. Incredibly framed. Signed.