The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line.
As a founder of the Vienna Secession — a union of artists and designers determined to upend Austria’s artistic conservatism — and later, a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life.
Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question — and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light.
As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s — but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms.
Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality.
Hoffmann’s signature furniture design is an adjustable lounge chair — the Sitzmaschine (1905) — that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on 1stDibs — which range from enameled silver jewelry, to silver flower vase baskets and other decorative objects, to sofas, lighting pendants and sconces — testify to the astonishing breadth of Hoffman’s creative pursuits. He was truly a giant of design.
Original Josef Hoffmann & Wiener Werkstätte Cabinet for Mimi Marlow 20th Century
By Wiener Werkstätte, Josef Hoffmann
Located in Vienna, AT
For the private saloon of the then famous soubrette Mimi Marlow, who was also performing in the legendary "Fledermaus Cabaret," which was designed by Josef Hoffmann and executed by t...
Oak
Black Art Nouveau Display Cabinet by Josef Hoffmann for Thonet, AT ca. 1905
By Thonet, Josef Hoffmann
Located in Lichtenberg, AT
Another rarity in our highly demanded Art Nouveau furniture collection: an absolute fantastic, unusual black display cabinet from the early perio...
Brass
18th Century French Country Cabinet
Located in Los Angeles, CA
Charming cabinet with two doors and carved diamond shaped decoration. Note the cupid's bow leg shape. Lots of storage!
Wood
18th Century Country French Cabinet
Located in Pomona, CA
A French Provincial cabinet of cupboards and drawers. Doors decorated with floral urns. Bead design around doors and drawers. Brass hardware,...
Oak
19th Century English Olivewood and Brass Inlaid Cabinet
By Town & Emanuel
Located in London, GB
A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...
Marble, Brass
Late 18th Century Georgian Oak Cabinet / Cupboard
Located in Casteren, Noord-Brabant
Late 18th century oak cupboard, The top part has two doors with fielded panels. The lower part has four drawers with brass handles. The cabin...
Brass
20th Century Rustic Pine Cabinet
Located in Southampton, NY
20th Century Rustic Pine Cabinet A simply constructed pine cabinet with two doors and a central rail. A grey-ish painted wash gives creates a beautiful patina. Two porcelain knobs a...
Pine
Provincial Ebonized Display Cabinet
Located in Westwood, NJ
Provincial-style pine painted display cabinet. The display case has remarkably subtle details such as slightly splayed legs that are tapered and encase the bottom shelf. Crown moldin...
Wood
18th Century Swedish Baroque Cupboard Cabinet
Located in San Angelo, TX
Stunning 18th century baroque Swedish cabinet. This amazing piece has been dry scrapped down to showcase traces of the original paint. Lots of neutral tones run through out this uniq...
Pine, Paint
Gustavian 19th Century Cabinet with Original Paint
Located in Baton Rouge, LA
A Swedish Gustavian cabinet from the 19th century or earlier with its original vibrant paint, reeded doors, and an open shelf. The top portion is removable and features a sharply mol...
Metal
Small Georgian Display Cabinet
Located in Bradenton, FL
An attractive small size Georgian Mahogany display cabinet with fixed shelves and a fitted fabric interior. Decorative molded sides ...
Mahogany
Early 20th Century Chinese Cabinet
Located in Copenhagen, K
Beautiful Chinese cabinet in mainly black and red lacquer with red decorations. Contains several shelves and four drawers, all with original brass hardware.
Wood
$57,974
H 27.56 in W 24.02 in D 11.82 in
Unique Low Cabinet with Intarsia by Viktor Lurje for Wiener Werkstätte c. 1926
By Wiener Werkstätte, Viktor Lurje
Located in Berlin, DE
Unique low cabinet with intarsia designed by the architect, artist and craftsman Viktor Lurje (1883-1944) and manufactured by Wiener Werkstätte GmbH, circa 1926. Together with Oskar ...
Wood
19th Century French Marquetry Cabinet with Marble Top
Located in WEST PALM BEACH, FL
This is an elegant Louis XV style walnut cabinet. The gray variegated marble top rests over a single door with satinwood marquetry in the form of a floral arrangement in an urn. The cabinet has a beautifully shaped apron flanked by gilt metal paw...
Marble, Metal