Josef Sima Art

Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...

Antoni Tapies (Spanish, 1923-2012) Color Etching, aquatint and polychrome carborundum print Estisores-2, c. 1979 Hand signed and numbered 31/75 in pencil in the lower margin, publi...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Artist: Johnny Friedlaender – German/French (1912-1992) Title: Herbes Solaires (Solar Grass) Year: 1969 Medium: Aquatint etching with embossing Size: 30 x 22.25 inches. Signature: S...

Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...