Joseph Kaplan Art

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

A Fine 1930s, Modern Academic Pastel Figure Study of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s p...

"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

A Fine 1930s, Modern Academic Pastel Figure Study of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, earl...

Frame: 22 x 29 in. Signed, titled, and editioned in pencil

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

Vito Tomasello. Portrait of Wayne Herman, 1971. Pasel on paper, 18 x 24 inches. Signed and dated upper left. A lifetime NYC resident, Tomasello is best known for his male nude draw...

A chalk and crayon study for a scuplture by French female artist Marie-Josèphe Bourron. Presented in modern frame with mount under glass. Though not signed the drawing was acquired d...

Bold nude pastel drawing by Albert Hutson (American, 1923-1994). A woman is reclined on a soft red surface, leaning up against a yellow pillow. The model is skillfully sketched, with quick but confident marks. Hutson has captured the character of the model in her expression and posture, both of which appear relaxed and natural. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. Signed, dated, and titled twice in the lower right corner ("Al Hutson Danielle 89") Presented in a new off-white mat with foamcore backing. Mat size: Paper size: 19.75"H x 25.5"W Albert L. Hutson (American, 1923-1994) had two careers: first as a professional military officer, and second as an artist and member of the Board of the Graphic Arts Council in San Francisco. He was born in 1923 in Portsmouth, Virginia, into a family with a long military tradition. His father and maternal grandfather were Annapolis graduates, and his paternal grandfather served in the Civil War. Colonel Hutson graduated from Staunton Military Academy in 1941 shortly after World War II began. He later earned an undergraduate degree in history from the University of Nebraska in the late 1960s. As a young second lieutenant in World War II, he served with the First Armored Division in the Italian Campaign, starting with the Battle of Anzio, and participated in the liberation of Rome. His interest in art began at this time when his commanding officer introduced him to Italian art. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. A graduate of the Fine Arts Museums docent [tour guide...

Artist: Jonas Wood Title: Large Shelf Still Life Year: 2017 Medium: Poster Technique: Offset lithograph printed in colours on wove paper, the full sheet printed to the edges Classifi...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...