Joseph Stabilito Paintings

Blue and white abstract contemporary concentric ombre shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

We offer Artist’s lifetime Warranty for Original paintings! -Free frame service with selection of frames to suit your space and deco style. You will be able to choice the frame with...

Blue and white abstract contemporary concentric shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The w...

Oil on canvas, signed top Right

An abstract oil on canvas by Post War artist Robert Marc. Signed lower right, "Robert Marc." Provenance: Estate of the artist; Forum Gallery, New York; Barry Friedman Ltd., New York. Exhibition: London, Alon Zakaim...

Teal and white abstract contemporary concentric shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The w...

Oil on canvas, signed lower Left. Gérard Souzay (né Gérard Marcel Tisserand le 8 décembre 1918 à Angers, Maine-et-Loire, et mort le 17 août 2004 à Antib...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...

Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twenty years. She established her vocabul...

Sometimes life and existence can feel like a prison. you dont know when it started and where it came from. hopeless can feel real. but there is still always what you were wondering t...

Oil on canvas, signed lower right. Gérard Souzay (né Gérard Marcel Tisserand le 8 décembre 1918 à Angers, Maine-et-Loire, et mort le 17 août 2004 à Antib...